FREE BOOKS

Author's List




PREV.   NEXT  
|<   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81  
82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   >>   >|  
cidents, and that extent of time in which he found 'em in the Authors from whence he borrow'd them. So _The Winter's Tale_, which is taken from an old book, call'd _The Delectable History of_ Dorastus _and_ Faunia, contains the space of sixteen or seventeen years, and the Scene is sometimes laid in _Bohemia_, and sometimes in _Sicily_, according to the original order of the Story. Almost all his historical Plays comprehend a great length of time, and very different and distinct places: And in his _Antony_ and _Cleopatra_, the Scene travels over the greatest part of the _Roman_ empire. But in recompence for his carelessness in this point, when he comes to another part of the _Drama, The Manners of his Characters, in acting or speaking what is proper for them, and fit to be shown by the Poet_, he may be generally justify'd, and in very many places greatly commended. For those Plays which he has taken from the _English_ or _Roman_ history, let any man compare 'em, and he will find the character as exact in the Poet as the Historian. He seems indeed so far from proposing to himself any one action for a Subject, that the Title very often tells you, 'tis _The Life of King_ John, _King_ Richard, _&c._ What can be more agreeable to the idea our historians give of _Henry_ the Sixth, than the picture _Shakespear_ has drawn of him! His Manners are every where exactly the same with the story; one finds him still describ'd with simplicity, passive sanctity, want of courage, weakness of mind, and easie submission to the governance of an imperious Wife, or prevailing Faction: Tho' at the same time the Poet do's justice to his good qualities, and moves the pity of his audience for him, by showing him pious, disinterested, a contemner of the things of this world, and wholly resign'd to the severest dispensations of God's providence. There is a short Scene in the second part of _Henry_ VI., which I cannot but think admirable in its kind. Cardinal _Beaufort_, who had murder'd the Duke of _Gloucester_, is shewn in the last agonies on his death-bed, with the good King praying over him. There is so much terror in one, so much tenderness and moving piety in the other, as must touch any one who is capable either of fear or pity. In his _Henry_ VIII. that Prince is drawn with that greatness of mind, and all those good qualities which are attributed to him in any account of his reign. If his faults are not shewn in an equal degree, and the shades i
PREV.   NEXT  
|<   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81  
82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   >>   >|  



Top keywords:
qualities
 

places

 

Manners

 

things

 

showing

 
audience
 

contemner

 

justice

 

disinterested

 

governance


describ

 

simplicity

 

cidents

 

Shakespear

 
passive
 

sanctity

 

imperious

 
prevailing
 
Faction
 

wholly


submission
 

courage

 
weakness
 

capable

 

terror

 

tenderness

 

moving

 

Prince

 

degree

 

shades


faults

 
greatness
 
attributed
 

account

 

praying

 

picture

 

severest

 

dispensations

 

providence

 

admirable


Gloucester

 

agonies

 

murder

 

Cardinal

 
Beaufort
 

resign

 

distinct

 
Antony
 
Cleopatra
 

length