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her name was Elaine? And the company of gallant knights who followed her as she set forth upon her quest--who were they, and from whence did they hail? The fool of the court, with his bauble and his cracked, meaningless laughter, danced in and out of the picture with impish glee. Behind it all was the sunset, such a sunset as was never seen on land or sea. Ribbons of splendid colour streamed from the horizon to the zenith and set the shields of the knights aglow with shimmering flame. Clashing cymbals sounded from afar, then, clear and high, a bugle call, the winding silvery notes growing fainter and fainter till they were lost in the purple silence of the hills. Elaine turned, smiling--was not her name Elaine? And then---- Darkness fell and the picture was utterly wiped out. Harlan turned away with a sigh. To take the dead, dry bones of words, the tiny black things that march in set spaces across the page; to set each where it inevitably belongs--truly, it seems simple enough. But from the vast range of our written speech to select those which fittingly clothe the thought is quite another matter, and presupposes the thought. Even then, by necessity, the outcome is uncertain. Within the mind of the writer, the Book lives and breathes; a child of the brain, yearning for birth. At a white heat, after long waiting, the words come--merely a commentary, an index, a marginal note of that within. Reading afterward the written words, the fine invisible links, the colour and the music, are treacherously supplied by the imagination, which is at once the best friend and the worst enemy. How is one to know that only a small part of it has been written, that the best of it, far past writing, lingers still unborn? Long afterward, when the original picture has faded as though it had never been, one may read his printed work, and wonder, in abject self-abasement, by what miracle it was ever printed. He has trusted to some unknown psychology which strongly savours of the Black Art to reproduce in the minds of his readers the picture which was in his, and from which these fragmentary, marginal notes were traced. Only the words, the dead, meaningless words, stripped of all the fancy which once made them fair, to make for the thousands the wild, delirious bliss that the writer knew! To write with the tears falling upon the page, and afterward to read, in some particularly poignant and searching review, that "the book fails to conv
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