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rry away from them, conscious that here was the one profound difference between them, it was clear to him that insensibly she had moved further than she knew from her father's standpoint. Even among these solitudes, far from men and literature, she had unconsciously felt the breath of her time in some degree. As he penetrated deeper into the nature he found it honeycombed, as it were, here and there, with beautiful unexpected softnesses and diffidences. Once, after a long walk, as they were lingering homewards under a cloudy evening sky, he came upon the great problem of her life--Rose and Rose's art. He drew her difficulty from her with the most delicate skill. She had laid it bare, and was blushing to think how she had asked his counsel, almost before she knew where their talk was leading. How was it lawful for the Christian to spend the few short years of the earthly combat in any pursuit, however noble and exquisite, which merely aimed at the gratification of the senses, and implied in the pursuer the emphasising rather than the surrender of self? He argued it very much as Kingsley would have argued it, tried to lift her to a more intelligent view of a multifarious world, dwelling on the function of pure beauty in life, and on the influence of beauty on character, pointing out the value to the race of all individual development, and pressing home on her the natural religious question: How are the artistic aptitudes to be explained unless the Great Designer meant them to have a use and function in His world? She replied doubtfully that she had always supposed they were lawful for recreation, and like any other trade for bread-winning, but---- Then he told her much that he knew about the humanising effect of music on the poor. He described to her the efforts of a London society, of which he was a subscribing member, to popularise the best music among the lowest class; he dwelt almost with passion on the difference between the joy to be got out of such things and the common brutalising joys of the workman. And you could not have art without artists. In this again he was only talking the commonplaces of his day. But to her they were not commonplaces at all. She looked at him from time to time, her great eyes lightening and deepening as it seemed with every fresh thrust of his. 'I am grateful to you,' she said at last with an involuntary outburst, 'I am _very_ grateful to you!' And she gave a long sigh as if some
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