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en! What noble matches Winter might have seen; And in Old Age what glorious Hazards foil'd, What Zest of painful Pleasures might have been! LXXII WOULD but the dim Face of old Winter yield One glimpse of green, like Youth to Age reveal'd, Thro' which once more the failing Limbs might spring As springs the trampled Herbage of the Field. LXXIII AH! with the Green my fading life provide, Some ancient golfing Crony by my side: Content to play one Round, or, meeker still, To mix a gentle Foursome satisfied. LXXIV THAT even the wavering Remnant of the Swing May bear some witness to my virtuous Spring, And leave no True-believer passing-by Unedified by its Admonishing. LXXV WOULD but the god of Golfers ere too late Arrest the sure-advancing step of Fate, What matter if we play the Odd or Like? Or--if we play--hole out in Four or Eight? LXXVI AH, let the Honor go to Fate, and let All difficulties by that Crack be met; The Duffer still may win a Half or two, Content while Fate is only Dormie yet. LXXVII OR if ev'n this be taken, you and I May still fare onward calmly, honestly, Nor care how many Down the Record stand: The Match is over--Let us play the Bye! LXXVIII YON rising Moon that leads us Home again, How oft hereafter will she wax and wane; How oft hereafter rising wait for us At this same Turning--and for _One_ in vain. LXXIX AND when, like her, my Golfer, I have been And am no more above the pleasant Green, And you in your mild Journey pass the Hole I made in One--ah! pay my Forfeit then! TAMAM End of the Project Gutenberg EBook of The Golfer's Rubaiyat, by H. W. Boynton *** END OF THIS PROJECT GUTENBERG EBOOK THE GOLFER'S RUBAIYAT *** ***** This file should be named 24018.txt or 24018.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/0/1/24018/ Produced by David Edwards, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and
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