FREE BOOKS

Author's List




PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  
t. Talmage, who knew his business, used to work this element of disappointment as an art. When the event was important and he wished to make a particularly good impression, he would begin in a very low, sing-song voice, and in a monotonous manner, dealing in trite nothings for five minutes or more. His angular form would seem to take on more angles and his homely face would grow more homely, if that were possible--disappointment would spread itself over the audience like a fog; people would settle back in their pews, sigh and determine to endure. And then suddenly the speaker would glide to the front, his great chest would fill, his immense mouth would open and there would leap forth a sentence like a thunderbolt. Visitors at "The Temple," London, will recall how Joseph Parker works the matter of surprise, and often piques curiosity by beginning his sermon to two thousand people in a voice that is just above a whisper. One of the most impressive orators of modern times was John P. Altgeld, yet to those who heard him for the first time his appearance was always a disappointment. Altgeld was so earnest and sincere, so full of his message that he scorned all the tricks of oratory, but still he must have been aware that his insignificant form and commonplace appearance were a perfect foil for the gloomy, melancholy and foreboding note of earnestness that riveted his words into a perfect whole. Over against the type of oratory represented by Altgeld, America has produced one orator who fascinated first by his personal appearance, next exasperated by his imperturbable calm, then disappointed through a reserve that nothing could baffle, and finally won through all three, more than by his message. This man was Roscoe Conkling, he of the Hyperion curls and Jovelike front. The chief enemy of Conkling (and he had a goodly list) was James G. Blaine, who once said of him, "He wins, like Pericles, by his grand and god-like manner--and knows it." In appearance and manner Pericles and Conkling had much in common, but there the parallel stops. Pericles appeared only on great occasions. We are told that in twenty years he was seen on the streets of Athens only once a year, and that was in going from his house to the Assembly where he made his annual report of his stewardship. He never made himself cheap. His speeches were prepared with great care and must have been memorized. Before he spoke he prayed the gods that not a sing
PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  



Top keywords:

appearance

 
manner
 

Pericles

 
disappointment
 

Altgeld

 

Conkling

 
homely
 

people

 

perfect

 

message


oratory

 
produced
 

America

 

represented

 

orator

 

fascinated

 

disappointed

 
stewardship
 

reserve

 

imperturbable


personal

 

exasperated

 

riveted

 

insignificant

 

commonplace

 
memorized
 
Before
 

prayed

 
prepared
 

earnestness


foreboding
 

melancholy

 

speeches

 

gloomy

 
Athens
 

streets

 

twenty

 

occasions

 
appeared
 

common


parallel

 
Blaine
 

Roscoe

 

annual

 

Hyperion

 
finally
 

report

 
Jovelike
 

goodly

 

Assembly