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n of the book is an apology for Seneca or a vindication of Denis Diderot. As Grimm said, we have to make up our minds to see the author suddenly pass from the palace of the Caesars to the garret of MM. Royou, Grosier, and company; from Paris to Rome, and from Rome back again to Paris; from the reign of Claudius to the reign of Lewis XV.; from the college of the Sorbonne to the college of the augurs; to turn now to the masters of the world, and now to the yelping curs of literature; to see him in his dramatic enthusiasm making the one speak and the others answer; apostrophising himself and apostrophising his readers, and leaving them often enough in perplexity as to the personage who is speaking and the personage whom he addresses.[185] We may agree with Grimm that this gives an air of originality to the performance, but such originality is of a kind to displease the serious student, without really attracting the few readers who have a taste for rebelling against the pedantries of literary form. We become confused by the long strain of uncertainty whether we are reading about the Roman Emperor or the French King; about Seneca, Burrhus, and Thrasea, or Turgot, Malesherbes, and Necker. [185] Grimm, _Corr. Lit._, xi. 77. Diderot's candour, simplicity, happy bonhommie, and sincerity in real interests raised him habitually above the pettiness, the bustling malice, the vain self-consciousness, the personalities that infest all literary and social cliques. It is surprising at first that Diderot, who had all his life borne the sting of the gnats of Grub Street with decent composure, should have been so moved by Rousseau, or by meaner assailants, whom Rousseau himself would have rudely disclaimed. The explanation seems to lie in this fact of human character, that a man of Diderot's temperament, while entirely heedless of criticism directed against his opinions or his public position, is specially sensitive to innuendoes against his private benevolence and loyalty. An insult to the force of his understanding was indifferent to him, but an affront to one's _belle ame_ is beyond pardon. It was hard that a man who had prodigally thrown away the forces of his life for others should be charged with malignity of heart and an incapacity for friendship. This was the harder, because it was the moral fashion of that day to place friendliness, amiability, the desire to please and to serve, at the very head of all the virtues. The whol
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