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, which is a departure both from Kotzebue and also from historic truth. Pizarro lived to conquer Peru, and was assassinated in his palace at Lima, by the son of his friend, Almagro.) _Pizarro_, "the ready tool of fell Velasquez' crimes."--R. Jephson, _Braganza_ (1775). _Pizarro_, the governor of the State prison, in which Fernando Florestan was confined. Fernando's young wife, in boy's attire, and under the name of Fidelio, became the servant of Pizarro, who, resolving to murder Fernando, sent Fidelio and Rocco (the jailer) to dig his grave. Pizarro was just about to deal the fatal blow, when the minister of state arrived, and commanded the prisoner to be set free.--Beethoven, _Fidelio_ (1791). =Place'bo=, one of the brothers of January, the old baron of Lombardy. When January held a family conclave to know whether he should marry, Placebo told him "to please himself, and do as he liked."--Chaucer, _Canterbury Tales_ ("The Merchant's Tale," 1388). =Placid= (_Mr._), a hen-pecked husband, who is roused at last to be somewhat more manly, but could never be better than "a boiled rabbit without oyster sauce." (See PLIANT.) _Mrs. Placid_, the lady paramount of the house, who looked quite aghast if her husband expressed a wish of his own, or attempted to do an independent act.--Inchbald, _Every One Has His Fault_ (1794). =Plac'idas=, the exact fac-simile of his friend, Amias. Having heard of his friend's captivity, he went to release him, and being detected in the garden, was mistaken by Corflambo's dwarf for Amias. The dwarf went and told Paea'na (the daughter of Corflambo, "fair as ever yet saw living eye, but too loose of life and eke of love too light"). Placidas was seized and brought before the lady, who loved Amias, but her love was not requited. When Placidas stood before her, she thought he was Amias, and great was her delight to find her love returned. She married Placidas, reformed her ways, "and all men much admired the change, and spake her praise."--Spenser, _Fa[:e]ry Queen_, iv. 8, 9 (1596). =Plagiary= (_Sir Fretful_), a playwright, whose dramas are mere plagiarisms from "the refuse of obscure volumes." He pretends to be rather pleased with criticism, but is sorely irritated thereby. Richard Cumberland (1732-1811), noted for his vanity and irritability, was the model of this character.--Sheridan, _The Critic_, i. 1 (1779). Herrick, who had no occasion to steal, has taken this image
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