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The Project Gutenberg EBook of The Stranger in France, by John Carr This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Stranger in France or, a Tour from Devonshire to Paris Illustrated by Engravings in Aqua Tint of Sketches Taken on the Spot. Author: John Carr Release Date: January 6, 2007 [EBook #20296] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE STRANGER IN FRANCE *** Produced by Robert Connal, Wilelmina Mailliere and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) Transcriber's note: Original spellings (and their inconsistencies) have been maintained. A few obvious printer's error have been corrected: a list of this corrections can be found at the end of the text. THE STRANGER IN FRANCE: OR, A TOUR FROM DEVONSHIRE TO PARIS. ILLUSTRATED BY ENGRAVINGS IN AQUA TINTA OF SKETCHES, TAKEN ON THE SPOT, BY JOHN CARR, Esq. LONDON: PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S CHURCHYARD. SOLD ALSO BY W. HANNAFORD, TOTNES. _Bryer, Printer, Bridge Street, Black Friars._ 1803. PREFACE. The little tour which gave birth to the following remarks, was taken immediately after the exchange of the ratifications of a peace, necessary, but not inglorious to my country, after a contest unexampled in its cause, calamity, extension, vicissitudes and glory; amidst a people who, under the influence of a political change, hitherto unparallelled, were to be approached as an order of beings, exhibiting a moral and political form before but little known to themselves and to the world, in the abrupt removal of habits and sentiments which had silently and uninterruptedly taken deep root in the soil of ages. During a separation of ten years, we have received very little account of this extraordinary people, which could be relied upon. Dissimilar sensations, excited by their principles and proceedings, ever partially and irregularly known, have depicted unaccording representations of them, and, in the sequel, have exhibited rather a high-c
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