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about machinery that I dinna ken, Mr. Murray, from a forty thousand horse power quadruple expansion doon to a freewheel bicycle. (_Proudly._) I hae done spells work at all of them, you ken. ANDY. I suppose Daniel's at home. Is he? JOHN. Daniel? Oh aye, Daniel's at home. He's just tidying himself up a wee bit. MACKENZIE. A wee bit paint and powder gangs a lang gait to make up defects, as you ken yourself, Miss McMinn. (_He laughs loudly._) That's a guid one. ANDY (_looking slyly at Sarah_). He's up out of bed then? JOHN (_innocently_). Oh aye. He sits up late of nights working out things. (_He points to the door of workshop._) That's his workshop. MACKENZIE. He works then? JOHN. Aye. He works in there. (_Andy goes over and goes into workshop._) MACKENZIE. Because it doesna follow always, as I have discovered in my experience, that because a man has a workshop, he works. (_He laughs, evidently much pleased at his own humour._) ANDY (_looking out again through door_). There's nothing much to see in this place except a lot of dirty papers. JOHN. That's the plans of the bellows he's working at. MACKENZIE (_going over to workshop_). Come out, Mr. McMinn, till I examine. (_Andy comes out and he passes in._) Eh. This is the plan of the great bellows. (_He laughs loudly._) ANDY. Is he making much headway with it, John? JOHN. Indeed, now, I think he's doing bravely at it. He's keeping very close at it this day or two. ANDY. There's a terrible amount of newspapers lying in there. Has he no other plans and drawings except what's there? JOHN. Oh aye. He has plenty of plans and drawings somewhere, for I seen them once or twice. MACKENZIE (_coming out_). I can't say much about that contrivance. (_He laughs._) And, I say. Look here. He does more than draw bellows. He draws corks as well. (_He produces a bottle of whiskey almost empty._) JOHN. Ah, well. He's not a great transgressor either in the matter of a bottle. No, no. ANDY. And the smell of smoke in the place! SARAH. John, I think Daniel smokes far too much. ANDY. He should be dressed by now. JOHN. Aye. Oh, aye. He should right enough. He's a wee bit backward before women, you know, Sarah. (_Calls._) Daniel! (_He goes over and opens door into rooms._) Daniel! DANIEL (_without_). Yes. (_He appears at the door struggling vainly with his collar._) JOHN. Why didn't you come long ago. What kept you? DANIEL. Your collar. (_He lo
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