about machinery that I dinna ken, Mr.
Murray, from a forty thousand horse power quadruple expansion doon to
a freewheel bicycle. (_Proudly._) I hae done spells work at all of
them, you ken.
ANDY. I suppose Daniel's at home. Is he?
JOHN. Daniel? Oh aye, Daniel's at home. He's just tidying himself up a
wee bit.
MACKENZIE. A wee bit paint and powder gangs a lang gait to make up
defects, as you ken yourself, Miss McMinn. (_He laughs loudly._)
That's a guid one.
ANDY (_looking slyly at Sarah_). He's up out of bed then?
JOHN (_innocently_). Oh aye. He sits up late of nights working out
things. (_He points to the door of workshop._) That's his workshop.
MACKENZIE. He works then?
JOHN. Aye. He works in there. (_Andy goes over and goes into
workshop._)
MACKENZIE. Because it doesna follow always, as I have discovered in my
experience, that because a man has a workshop, he works. (_He laughs,
evidently much pleased at his own humour._)
ANDY (_looking out again through door_). There's nothing much to see
in this place except a lot of dirty papers.
JOHN. That's the plans of the bellows he's working at.
MACKENZIE (_going over to workshop_). Come out, Mr. McMinn, till I
examine. (_Andy comes out and he passes in._) Eh. This is the plan of
the great bellows. (_He laughs loudly._)
ANDY. Is he making much headway with it, John?
JOHN. Indeed, now, I think he's doing bravely at it. He's keeping very
close at it this day or two.
ANDY. There's a terrible amount of newspapers lying in there. Has he
no other plans and drawings except what's there?
JOHN. Oh aye. He has plenty of plans and drawings somewhere, for I
seen them once or twice.
MACKENZIE (_coming out_). I can't say much about that contrivance.
(_He laughs._) And, I say. Look here. He does more than draw bellows.
He draws corks as well. (_He produces a bottle of whiskey almost
empty._)
JOHN. Ah, well. He's not a great transgressor either in the matter of
a bottle. No, no.
ANDY. And the smell of smoke in the place!
SARAH. John, I think Daniel smokes far too much.
ANDY. He should be dressed by now.
JOHN. Aye. Oh, aye. He should right enough. He's a wee bit backward
before women, you know, Sarah. (_Calls._) Daniel! (_He goes over and
opens door into rooms._) Daniel!
DANIEL (_without_). Yes. (_He appears at the door struggling vainly
with his collar._)
JOHN. Why didn't you come long ago. What kept you?
DANIEL. Your collar. (_He lo
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