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are the only honest people, and she and her cargo of fishermen, with an old man named Bontemps, are now heaven knows where since I met them at Portofino. "She calls them her children and when I last saw her she was coming along the little quay at Portofino helping that big red bearded man to carry provisions. "The times are revolutionary, that's the truth, and women are not what they were, and I am old, I suppose, and cannot see things as I ought to see them--and the grief is she might have married any one, she might have married Royalty itself, and I told her so and she laughed in my face. She said she never intended to marry any one, that she already had a family of 'children' and that the great bearded man Raft was the smallest of them all, that she was teaching him to read and write and to talk French so that he could converse with the rest of her family. "She has made Portofino her headquarters, it seems, and she is the lady bountiful of the fishing folk there, sits in their cottages and talks to them, taking up her quarters at the little _auberge_ and sometimes living on board her boat. "A strange life, and yet she seems happy, like that poor Mademoiselle La Fontaine, whom I last saw at the Maison de Sante of Doctor Schwanthaller, seated with a straw crown on her head and imagining herself a queen." There ended the letter of Madame de Brie, and here ends the story of Cleo de Bromsart, a woman of energy and mind who learned from Kerguelen that Life is an endless striving, not a peaceful drifting, and that of all things high the highest is the soul of a child. THE END End of Project Gutenberg's The Beach of Dreams, by H. De Vere Stacpoole *** END OF THIS PROJECT GUTENBERG EBOOK THE BEACH OF DREAMS *** ***** This file should be named 20084.txt or 20084.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/0/8/20084/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to
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