Lady Adela made a tour of the premises. The housekeeper's room pleased
her immensely--at least she persuaded herself it did. "Why, it is
quite as nice as any of the rooms upstairs," she said aloud, as she
stood with her face to the failing sunbeams and rested her strong
white hand on the edge of the table. "Quite as nice. Karl and Max,
come here!"
But the boarhounds for once in their lives did not obey her with a
good grace. There was something in the room they did not like, and
they showed how strong was their resentment by slinking unwillingly
through the doorway.
"I wonder why that is?" Lady Adela mused; "I have never known them do
it before." Then her eyes wandered round the walls, and struggled in
vain to reach the remoter angles of the room, which had suddenly grown
dark. She tried to assure herself that this was but the natural effect
of the departing daylight, and that, had she watched in other houses
at this particular time, she would have noticed the same thing. To
show how little she minded the gloom, she went up to the darkest
corner and prodded the walls with her riding-whip. She laughed--there
was nothing there, nothing whatsoever to be afraid of, only shadows.
With a careless shrug of her shoulders, she strutted into the
passage, and, whistling to Karl and Max who, contrary to their custom,
would not keep to heel, made another inspection of the kitchens. At
the top of the cellar steps she halted. The darkness had now set in
everywhere, and she argued that it would be foolish to venture into
such dungeon-like places without a light. She soon found one, and,
armed with candle and matches, began her descent. There were several
cellars, and they presented such a dismal, dark appearance, that she
instinctively drew her skirts tightly round her, and exchanged the
slender riding-whip for a poker. She whistled again to her dogs. They
did not answer, so she called them both by name angrily. But for some
reason (some quite unaccountable reason, she told herself) they would
not come.
She ransacked her mind to recall some popular operatic air, and
although she knew scores she could not remember one. Indeed, the only
air that filtered back to her was one she detested--a Vaudeville tune
she had heard three nights in succession, when she was staying with a
student friend in the Latin Quarter in Paris. She hummed it loudly,
however, and, holding the lighted candle high above her head, walked
down the steps. At th
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