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372, 383, 384, 393, 394, 415. Williams, Frank, 322, 402. Williams, Louisa, 394, 395. Williams, W. S. Chapter XIV, 370-402; discovery of Charlotte, 9; sends books to Charlotte, 429; and _The Professor_, 332; on _Wuthering Heights_, 161; Charlotte's letters to, vi, 3-7, 25, 138-141, 161-177, 185-191, 194-9, 200-3, 205, 232, 308, 321, 322, 333-67, 371-402, 404-17, 418, 420, 433-40, 444-8, 455; meets Charlotte, 318; Charlotte's description of, 430; and Charlotte's wedding, 491. Williams, Mrs., 4, 7, 359, 362, 376, 383, 386, 390, 393, 396, 398, 415, 440, 447. Willing, James, 164. Wills, W. G., 164. Wilson, Rev. Carus, 18, 75, 245, 339. Windermere, 230, 266. Wise, Thomas J., vi. Wiseman, Cardinal, 461. Wood, Mr. Butler, vi. Wood House Grove, 34, 36, 38, 39, 41, 43, 47, 49. Woodward, Mr., of Wellington N. Z., 249. Wooler, Miss C., 264. Wooler, Mr., 215. Wooler, Mrs., 77. Wooler, Margaret Chapter x, 260-79; her history, 260-1; her school, 75, 77, 78, 91, 92, 96, 145, 181, 214, 215, 234, 235, 284; Charlotte's letters to, 8, 132-4, 193, 199, 262-78, 367-9; Charlotte and, 87, 207, 212, 249, 262, 492; Miss Nussey on, 261-2; at the Nusseys', 477; and Mary Taylor, 234, 249, 258; and Charlotte's wedding, 487, 491; and Mrs. Gaskell, 12, 13, 14, 278. Wordsworth, William, 7, 142, 312. Wright's _Brontes in Ireland_, 157, 158. _Wuthering Heights_--its inception, 157, 158, 159, 246, 414; authorship of, 122, 142, 143, 340, 342; publication of, 161, 331; reception of, 255, 350, 459; reprint of, 364, 365; its light on Emily, 144; Charlotte on, 162, 336, 337; sent to Mrs. Gaskell, 5. YARMOUTH, 369. Yates, W. W., vi. York, 130, 200. 'Yorke, Rose.' _See_ Taylor Mary. '--- of Briarmains.' _See_ Taylor, Mr., banker. _Young Men's Magazine_, 66, 68. ZOOLOGICAL GARDENS, 451. ***END OF THE PROJECT GUTENBERG EBOOK CHARLOTTE BRONTE AND HER CIRCLE*** ******* This file should be named 19011.txt or 19011.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/9/0/1/19011 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rul
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