young brother, gives the best idea of the special
character of her type of beauty. Here are the large lustrous eyes and
the very delicately modelled, sensitive, refined features; here, the
luxuriant hair, the slender neck, and the sloping shoulders; and here,
the superb poise of head and of mind. There is another fine picture of
her by Gainsborough, for this painter was one of the brilliant men
who frequented her father's house at Bath. A musician he was, too,
and an excellent performer on the violin, so was congenial company in
that musical family. He admired the daughter, and wrought for us the
delightful records of her beauty. His change of residence, from Bath
to London, coincided in date with that of the Sheridans. Opie, too,
painted her portrait; not an ideal one, but good in respect to her
eyes. And Romney has given us good pictures both of her and Mrs.
Tickell. Reynolds's portrayal is supreme in indicating the exaltation
of spirit, by the poise of head and perfection of profile. This
picture of her as the patron saint of song was exhibited at the
Academy, in 1775, just about the time its subject had abandoned public
singing. It has been most beautifully engraved by Bartolozzi, and
ranks as one of his best plates. When the days of sorrow came to
Sheridan,--when his weaknesses of character brought him to a low
estate; when poverty became his portion, and the long lost days of
romantic love became but a memory; when treasure after treasure,
manuscripts, and sumptuous books were disposed of, and presentation
pictures were pawned,--this picture of St. Caecilia, a reminder of the
days that had vanished, was the last valued possession to be parted
with.
[Illustration: MARGUERITE COUNTESS OF BLESSINGTON by LAWRENCE]
LADY BLESSINGTON
The brilliant Blessington,--brilliant in beauty and in intellect!
Throughout her life of romance she was fortunate in her literary
friendships, through whom a knowledge of her abilities has grown to
tradition, but most fortunate in the portrayer of her beauty. Lawrence
has painted a picture which it is a perpetual pleasure to behold,--the
superb arms and shoulders, the serene, steadfast gaze of the eyes, and
the conscious, yet confident, poise of the head forming a record to
justify the tradition of great personal beauty and alertness of mind.
Marguerite Blessington's youth was ill-regulated and penurious. She
was born in 1789, the second daughter of Edmund Power, of Knockb
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