ich she looks very like
the "Male Impersonator" at a Music-hall. The Audience receive
her with derision and the recommendation to go and get her
hair cut._
_Maria_. Here am I in disguise at the Red Barn. And yet something
seems to whisper to me that danger is near. WILLIAM, where, _where_
are you?
_William_ (_coming out of a corner_). 'Ere, MARIA, 'ere! (_Aside._)
Now to 'url my victim to an early grave! (_Aloud._) 'Ave you obeyed my
instructions and avoided notice?
_Maria_. I have. Whenever I saw anyone approaching, I hid behind a
hedge and ducked in the ditch.
_William_ (_with sombre approval_). That was most discreet on your
part, MARIA. No one saw you come in, and no one will ever see you go
out. Be'old your open grave!
[_After some pleading from MARIA, a desperate struggle takes
place--that is, they catch one another's wrists, and walk up
and down together. MARIA calls upon her Mother's spirit,
whereupon a very youthful Angel is seen floating above the
couple._
_The Female S._ (_triumphantly_). Theer now--theer ain't bin no murder
yet, and theer's th' Gho-ast sure enough!
_Swain_ (_who is not going to own that he is mistaken_). That ain't
naw Gho-ast!
_Female S._ What is it, then?
_Swain._ Why, it's the "De-cep-ti-o Vissus," as was wrote up outside.
[_The Guardian Angel vanishes; WILLIAM _gets a spade, and
aims at MARIA, who takes it away, and strikes him; he is
then reduced to the pick-axe, but she wrests this from him
too, and hits him in the face with it. He pulls her coat off,
and her hair down--but she escapes from him a third time--on
which he snatches up a pistol, and fires it._
_William_ (_with unreasonable surprise_). Great Evans! What 'ave I
done? I, am become a _Murderer_! The shot 'as taken effect! See,
she staggers this way! (_Which MARIA does, to die comfortably in
WILLIAM's arms_.) I 'ave slain the only woman who ever truly loved
me; and I know not whether I loved her most while living, or hate her
most now she's dead! (_The Curtain falls, leaving WILLIAM with this
nice point still unsolved, and the Audience profoundly unmoved by the
tragedy, and evidently longing for more of the Comic Countryman._)
ACT III.--_Interior of Old MARTIN's Cottage. He attempts to
forget his anxiety about his daughter--who he fears, with
only too much reason, has come to an untimely end--by going to
sleep in a highly uncom
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