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nd thanking her for the pleasure she had afforded by her charming impersonation, graciously presented Mary with her own bouquet. The true version of another story, this time as to the Princess of Wales and Mary Anderson, may as well now be given. One evening Count Gleichen happened to be dining _tete-a-tete_ with the prince and princess at Marlborough House. When they adjourned to the drawing-room, the princess showed the count some photographs of a young lady, remarking upon her singular beauty, and suggesting what a charming subject she would make for his chisel. The count was fain to confess that he did not even know who the lady was, and had to be informed that she was the new American actress, beautiful Mary Anderson. He expressed the pleasure it would give him to have so charming a model in his studio, and asked the princess whether he was at liberty to tell Mary Anderson that the suggestion came from her, to which the princess replied that he certainly might do so. Three replicas of the bust will be executed, of which Count Gleichen intends to present one to her royal highness, another to Mary Anderson's mother, while the third will be placed in the Grosvenor Gallery. This is really all the foundation for the story of a royal command to Count Gleichen to execute a bust of Mary Anderson for the Princess of Wales. Among those who were constant visitors at the Lyceum was Lord Lytton, or as Mary Anderson loves to call him, "Owen Meredith." Her representation of his father's heroine in "The Lady of Lyons" naturally interested him greatly, and it is possible he may himself write for her a special play. Between them there soon sprung up one of those warm friendships often seen between two artist natures, and Lord Lytton paid Mary Anderson the compliment of lending her an unpublished manuscript play of his father's to read. Tennyson, too, sought the acquaintance of one who in his verse would make a charming picture. He was invited to meet her at dinner at a London house, and was her cavalier on the occasion. The author of "The Princess" did not in truth succeed in supplanting in her regard the bard of her native land, Longfellow; but he so won on Mary's heart that she afterward presented him with the gift--somewhat unpoetic, it must be admitted--of a bottle of priceless Kentucky whisky, of a fabulous age! If Mary Anderson was a favorite with the public before the curtain, she was no less popular with her fellow artis
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