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erses sent to the Dean with an Eagle quill An Invitation, by Dr. Delany The Beasts' Confession The Parson's Case The hardship upon the Ladies A Love Song The Storm Ode on Science A Young Lady's Complaint On the Death of Dr. Swift On Poetry, a Rhapsody Verses sent to the Dean on his Birthday Epigram by Mr. Bowyer On Psyche The Dean and Duke Written by Swift on his own Deafness The Dean's Complaint The Dean's manner of living Epigram by Mr. Bowyer Verses made for Fruit Women On Rover, a Lady's Spaniel Epigrams on Windows To Janus, on New Year's Day A Motto for Mr. Jason Hasard To a Friend Catullus de Lesbia On a Curate's complaint of hard duty To Betty, the Grisette Epigram from the French Epigram Epigram added by Stella Joan cudgels Ned Verses on two modern Poets Epitaph on General Gorges and Lady Meath Verses on I know not what Dr. Swift to himself An Answer to a Friend's question Epitaph Epitaph Verses written during Lord Carteret's administration An Apology to Lady Carteret The Birth of Manly Virtue On Paddy's Character of the "Intelligencer" An Epistle to Lord Carteret by Delany An Epistle upon an Epistle A Libel on Dr. Delany and Lord Carteret To Dr. Delany Directions for a Birthday Song The Pheasant and the Lark by Delany Answer to Delany's Fable Dean Smedley's Petition to the Duke of Grafton The Duke's Answer by Swift Parody on a character of Dean Smedley INTRODUCTION Dr. Johnson, in his "Life of Swift," after citing with approval Delany's character of him, as he describes him to Lord Orrery, proceeds to say: "In the poetical works there is not much upon which the critic can exercise his powers. They are often humorous, almost always light, and have the qualities which recommend such compositions, easiness and gaiety. They are, for the most part, what their author intended. The diction is correct, the numbers are smooth, and the rhymes exact. There seldom occurs a hard laboured expression or a redundant epithet; all his verses exemplify his own definition of a good style--they consist of 'proper words in proper places.'" Of his earliest poems it is needless to say more than that if nothing better had been written by him than those Pindaric Pieces, after the manner of Cowley--then so much in vogue--the remark of Dryden, "Cousin Swift, you will never be a Poet," would have been fully justified. But conventional praise and compliments were foreign to his nature, for his
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