still survives in our judges.
The soldier must be produced. Before that is done we are not
technically aware that he exists at all.
Then there are one or two points in the article itself which puzzle
me. The Fusilier and the R.F.A. man had seen "St, George leading the
British at Vitry-le-Francois, when the Allies turned." Thus the time
of the apparition and the place of the apparition were firmly fixed in
the two soldiers' minds.
Yet the very next paragraph in the article begins:--
"'Where was this ?' I asked. But neither of them could tell"
This is an odd circumstance. They knew, and yet they did not know; or,
rather, they had forgotten a piece of information that they had
themselves imparted a few seconds before.
Another point. The soldiers knew that the figure on the horse was St.
George by his exact likeness to the figure of the saint on the English
sovereign.
This, again, is odd. The apparition was of a bareheaded figure in
golden armour. The St. George of the coinage is naked, except for a
short cape flying from the shoulders, and a helmet. He is not
bareheaded, and has no armour--save the piece on his head. I do not
quite see how the soldiers were so certain as to the identity of the
apparition.
Lastly, Miss Campbell declares that "everybody" who fought from Mons
to Ypres saw the apparitions. If that be so, it is again odd that
Nobody has come forward to testify at first hand to the most amazing
event of his life. Many men have been back on leave from the front, we
have many wounded in hospital, many soldiers have written letters
home. And they have all combined, this great host, to keep silence as
to the most wonderful of occurrences, the most inspiring assurance,
the surest omen of victory.
It may be so, but--
Arthur Machen.
***END OF THE PROJECT GUTENBERG EBOOK THE ANGELS OF MONS***
******* This file should be named 14044.txt or 14044.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/4/0/4/14044
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, ap
|