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ed singers of them as final umpires in disputed questions, are not likely to be mistaken on matters in the accuracy of which they have so lively an interest. This is the earliest and most simple of the various stages through which history is obliged to pass. But in the course of time, unless unfavorable circumstances intervene, society advances; and among other changes, there is one in particular of the greatest importance. I mean the introduction of the art of writing, which, before many generations are passed, must effect a complete alteration in the character of the national traditions. The manner in which, this occurs has, so far as I am aware, never been pointed out; and it will therefore be interesting to attempt to trace some of its details. The first and perhaps the most obvious consideration is, that the introduction of the art of writing gives permanence to the national knowledge, and thus lessens the utility of that oral information in which all the acquirements of an unlettered people must be contained. Hence it is that as a country advances the influence of tradition diminishes, and traditions themselves become less trustworthy. Besides this, the preservers of these traditions lose in this stage of society much of their former reputation. Among a perfectly unlettered people, the singers of ballads are, as we have already seen, the sole depositaries of those historical facts on which the fame, and often the property, of their chieftains principally depend. But when this same nation becomes acquainted with the art of writing, it grows unwilling to intrust these matters to the memory of itinerant singers, and avails itself of its new art to preserve them in a fixed and material form. As soon as this is effected, the importance of those who repeat the national traditions is sensibly diminished. They gradually sink into an inferior class, which, having lost its old reputation, no longer consists of those superior men to whose abilities it owed its former fame. Thus we see that although without letters there can be no knowledge of much importance, it is nevertheless true that their introduction is injurious to historical traditions in two distinct ways: first by weakening the traditions, and secondly by weakening the class of men whose occupation it is to preserve them. But this is not all. Not only does the art of writing lessen the number of traditionary truths, but it directly encourages the propagation o
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