the light of the asphodel on the
Elysian fields.

But further, Athena is the air, not only to the lilies of the field, but
to the leaves of the forest. We saw before the reason why Hermes is said
to be the son of Maia, the eldest of the sister stars of spring. Those
stars are called not only Pleiades, but Vergiliae, from a word mingling
the ideas of the turning or returning of springtime with the outpouring
of rain. The mother of Vergil bearing the name of Maia, Vergil himself
received his name from the seven stars; and he, forming first the mind of
Dante, and through him that of Chaucer (besides whatever special minor
influence came from the Pastorals and Georgics) became the fountainhead
of all the best literary power connected with the love of vegetative
nature among civilized races of men. Take the fact for what it is worth;
still it is a strange seal of coincidence, in word and in reality, upon
the Greek dream of the power over human life, and its purest thoughts, in
the stars of spring. But the first syllable of the name of Vergil has
relation also to another group of words, of which the English ones,
virtue and virgin, bring down the force to modern days. It is a group
containing mainly the idea of "spring," or increase of life in
vegetation--the rising of the new branch of the tree out of the bud, and
of the new leaf out of the ground. It involves, secondarily, the idea
of greenness and of strength, but, primarily, that of living increase of
a new rod from a stock, stem, or root ("There shall come forth a rod out
of the stem of Jesse"); and chiefly the stem of certain plants--either of
the rose tribe, as in the budding of the almond rod of Aaron; or of the
olive tribe, which has triple significance in this symbolism, from the
use of its oil for sacred anointing, for strength in the gymnasium, and
for light. Hence, in numberless divided and reflected ways, it is
connected with the power of Hercules and Athena: Hercules plants the wild
olive, for its shade, on the course of Olympia, and it thenceforward
gives the Olympic crown of consummate honor and rest; while the prize at
the Panathenaic games is a vase of its oil (meaning encouragement to
continuance of effort); and from the paintings on these Panathenaic vases
we get the most precious clue to the entire character of Athena. Then to
express its propagation by slips, the trees from which the oil was to be
taken were called "Moriai," trees of division (