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The Project Gutenberg EBook of The Resources of Quinola, by Honore de Balzac This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Resources of Quinola Author: Honore de Balzac Release Date: July 18, 2005 [EBook #7417] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE RESOURCES OF QUINOLA *** Produced by Dagny; and John Bickers THE RESOURCES OF QUINOLA A COMEDY IN A PROLOGUE AND FIVE ACTS BY HONORE DE BALZAC First Presented at the Theatre de l'Odeon, Paris March 19, 1842. AUTHOR'S PREFACE Had the author of the following play written it merely for the purpose of winning for it the universal praise which the journals have lavished upon his romances, and which perhaps transcended their merits, _The Resources of Quinola_ would still have been an excellent literary speculation; but, when he sees himself the object of so much praise and so much condemnation, he has come to the conclusion that it is much more difficult to make successfully a first venture on the stage than in the field of mere literature, and he has armed himself, accordingly, with courage, both for the present and for the future. The day will come when the piece will be employed by critics as a battering ram to demolish some piece at its first representation, just as they have employed all his novels and even his play entitled _Vautrin_, to demolish _The Resources of Quinola_. However tranquil may be his mood of resignation, the author cannot refrain from making here two suggestive observations. Not one among fifty feuilleton writers has failed to treat as a fable, invented by the author, the historic fact upon which is founded the present play. Long before M. Arago mentioned this incident in his history of steam, published in the _Annuaire du Bureau des Longitudes_, the author, to whom the incident was known, had guessed in imagination the great drama that must have led up to that final act of despair, the catastrophe which necessarily ended the career of the unknown inventor, who, in the middle of the sixteenth century,
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