telling in an evening devoted to
enjoyment. You need not be inquisitive, for they are matters that belong
to the past, and which concern neither you nor me."

The high-steward and the cup-bearer here interrupted this conversation by
calling them to table, and the royal pair were soon reclining with their
guests at the festal board.

Oriental splendor and Greek elegance were combined in the decorations of
the saloon of moderate size, in which Ptolemy Philometor was wont to
prefer to hold high-festival with a few chosen friends. Like the great
reception-hall and the men's hall-with its twenty doors and lofty
porphyry columns--in which the king's guests assembled, it was lighted
from above, since it was only at the sides that the walls--which had no
windows--and a row of graceful alabaster columns with Corinthian
acanthus-capitals supported a narrow roof; the centre of the hall was
quite uncovered. At this hour, when it was blazing with hundreds of
lights, the large opening, which by day admitted the bright sunshine, was
closed over by a gold net-work, decorated with stars and a crescent moon
of rock-crystal, and the meshes were close enough to exclude the bats and
moths which at night always fly to the light. But the illumination of the
king's banqueting-hall made it almost as light as day, consisting of
numerous lamps with many branches held up by lovely little figures of
children in bronze and marble. Every joint was plainly visible in the
mosaic of the pavement, which represented the reception of Heracles into
Olympus, the feast of the gods, and the astonishment of the amazed hero
at the splendor of the celestial banquet; and hundreds of torches were
reflected in the walls of polished yellow marble, brought from Hippo
Regius; these were inlaid by skilled artists with costly stones, such as
lapis lazuli and malachite, crystals, blood-stone, jasper, agates and
chalcedony, to represent fruit-pieces and magnificent groups of game or
of musical instruments; while the pilasters were decorated with masks of
the tragic and comic Muses, torches, thyrsi wreathed with ivy and vine,
and pan-pipes. These were wrought in silver and gold, and set with costly
marbles, and they stood out from the marble background like metal work on
a leather shield, or the rich ornamentation on a sword-sheath. The
figures of a Dionysiac procession, forming the frieze, looked down upon
the feasters--a fine relievo that had been designed and modelled f