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. Sometimes it would be one child which was transformed, sometimes two, and occasionally three; but the mandarin always greeted the butterfly's report with intense delight and gave him molasses for supper. One evening, however, the butterfly thought it might be well to vary the report, so that the mandarin might not grow suspicious; and when its master asked what child had been had been changed into a pig that day the lying creature answered: "It was a Chinese boy, and when I touched him he became a black pig." This angered the mandarin, who was in an especially cross mood. He spitefully snapped the butterfly with his finger, and nearly broke its beautiful wing; for he forgot that Chinese boys had once mocked him and only remembered his hatred for American boys. The butterfly became very indignant at this abuse from the mandarin. It refused to eat its molasses and sulked all the evening, for it had grown to hate the mandarin almost as much as the mandarin hated children. When morning came it was still trembling with indignation; but the mandarin cried out: "Make haste, miserable slave; for to-day you must change four children into pigs, to make up for yesterday." The butterfly did not reply. His little black eyes were sparkling wickedly, and no sooner had he dipped his feet into the magic compound than he flew full in the mandarin's face, and touched him upon his ugly, flat forehead. Soon after a gentleman came into the room for his laundry. The mandarin was not there, but running around the place was a repulsive, scrawny pig, which squealed most miserably. The butterfly flew away to a brook and washed from its feet all traces of the magic compound. When night came it slept in a rose bush. End of the Project Gutenberg EBook of American Fairy Tales, by L. Frank Baum *** END OF THIS PROJECT GUTENBERG EBOOK AMERICAN FAIRY TALES *** ***** This file should be named 4357.txt or 4357.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/3/5/4357/ Produced by Charles Aldarondo. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying cop
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