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The Project Gutenberg EBook of The Wrong Box, by Robert Louis Stevenson and Lloyd Osbourne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Wrong Box Author: Robert Louis Stevenson and Lloyd Osbourne Release Date: February 25, 2006 [EBook #1585] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE WRONG BOX *** Produced by An Anonymous Volunteer and David Widger THE WRONG BOX By Robert Louis Stevenson And Lloyd Osbourne PREFACE 'Nothing like a little judicious levity,' says Michael Finsbury in the text: nor can any better excuse be found for the volume in the reader's hand. The authors can but add that one of them is old enough to be ashamed of himself, and the other young enough to learn better. R. L. S. L. O. CHAPTER I. In Which Morris Suspects How very little does the amateur, dwelling at home at ease, comprehend the labours and perils of the author, and, when he smilingly skims the surface of a work of fiction, how little does he consider the hours of toil, consultation of authorities, researches in the Bodleian, correspondence with learned and illegible Germans--in one word, the vast scaffolding that was first built up and then knocked down, to while away an hour for him in a railway train! Thus I might begin this tale with a biography of Tonti--birthplace, parentage, genius probably inherited from his mother, remarkable instance of precocity, etc--and a complete treatise on the system to which he bequeathed his name. The material is all beside me in a pigeon-hole, but I scorn to appear vainglorious. Tonti is dead, and I never saw anyone who even pretended to regret him; and, as for the tontine system, a word will suffice for all the purposes of this unvarnished narrative. A number of sprightly youths (the more the merrier) put up a certain sum of money, which is then funded in a pool under trustees; coming on for a century later, the proceeds are fluttered for a moment in the face of the last survivor, who is probably deaf, so that he cannot even hear of his success--and who is certainly dying, so that he might just as well have lost. The peculiar poetry and even humour of the scheme is now apparent, s
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