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nd this,' to all the world. All the world!... I will!" Britten rubbed the palm of his hand on the corner of his desk. "That's all very well, Remington," he said. "You mean to go." He stopped and began again. "If you didn't know you were in the wrong you wouldn't be so damned rhetorical. You're in the wrong. It's as plain to you as it is to me. You're leaving a big work, you're leaving a wife who trusted you, to go and live with your jolly mistress.... You won't see you're a statesman that matters, that no single man, maybe, might come to such influence as you in the next ten years. You're throwing yourself away and accusing your country of rejecting you." He swung round upon his swivel at me. "Remington," he said, "have you forgotten the immense things our movement means?" I thought. "Perhaps I am rhetorical," I said. "But the things we might achieve! If you'd only stay now--even now! Oh! you'd suffer a little socially, but what of that? You'd be able to go on--perhaps all the better for hostility of the kind you'd get. You know, Remington--you KNOW." I thought and went back to his earlier point. "If I am rhetorical, at any rate it's a living feeling behind it. Yes, I remember all the implications of our aims--very splendid, very remote. But just now it's rather like offering to give a freezing man the sunlit Himalayas from end to end in return for his camp-fire. When you talk of me and my jolly mistress, it isn't fair. That misrepresents everything. I'm not going out of this--for delights. That's the sort of thing men like Snuffles and Keyhole imagine--that excites them! When I think of the things these creatures think! Ugh! But YOU know better? You know that physical passion that burns like a fire--ends clean. I'm going for love, Britten--if I sinned for passion. I'm going, Britten, because when I saw her the other day she HURT me. She hurt me damnably, Britten.... I've been a cold man--I've led a rhetorical life--you hit me with that word!--I put things in a windy way, I know, but what has got hold of me at last is her pain. She's ill. Don't you understand? She's a sick thing--a weak thing. She's no more a goddess than I'm a god.... I'm not in love with her now; I'm RAW with love for her. I feel like a man that's been flayed. I have been flayed.... You don't begin to imagine the sort of helpless solicitude.... She's not going to do things easily; she's ill. Her courage fails.... It's hard to put things wh
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