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e terror!--the little wrinkles and the thumb! Only it ought to hold all the others together--in a slightly disturbing squeeze....Like Rodin's great Hand--you know the thing!" IV I forget how many days intervened between that last breaking off of our engagement and Marion's surrender. But I recall now the sharpness of my emotion, the concentrated spirit of tears and laughter in my throat as I read the words of her unexpected letter--"I have thought over everything, and I was selfish...." I rushed off to Walham Green that evening to give back all she had given me, to beat her altogether at giving. She was extraordinarily gentle and generous that time, I remember, and when at last I left her, she kissed me very sweetly. So we were married. We were married with all the customary incongruity. I gave--perhaps after a while not altogether ungrudgingly--and what I gave, Marion took, with a manifest satisfaction. After all, I was being sensible. So that we had three livery carriages to the church (one of the pairs of horses matched) and coachmen--with improvised flavour and very shabby silk hats--bearing white favours on their whips, and my uncle intervened with splendour and insisted upon having a wedding breakfast sent in from a caterer's in Hammersmith. The table had a great display of chrysanthemums, and there was orange blossom in the significant place and a wonderful cake. We also circulated upwards of a score of wedges of that accompanied by silver-printed cards in which Marion's name of Ramboat was stricken out by an arrow in favour of Ponderevo. We had a little rally of Marion's relations, and several friends and friends' friends from Smithie's appeared in the church and drifted vestry-ward. I produced my aunt and uncle a select group of two. The effect in that shabby little house was one of exhilarating congestion. The side-board, in which lived the table-cloth and the "Apartments" card, was used for a display of the presents, eked out by the unused balance of the silver-printed cards. Marion wore the white raiment of a bride, white silk and satin, that did not suit her, that made her seem large and strange to me; she obtruded bows and unfamiliar contours. She went through all this strange ritual of an English wedding with a sacramental gravity that I was altogether too young and egotistical to comprehend. It was all extraordinarily central and important to her; it was no more than an offensive, complicated,
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