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ed," he said when Corsini had finished. "That fellow who leads my orchestra is good--good enough for dinner anyway--but he has not your perfect touch. Ah, you remember me telling you once what I would give if you could teach me to play like you. Well, that offer is still open." Corsini smiled. "What would I not give to be the Baron Salmoros?" The Baron raised himself from his artistic dreams. "Ah, my young friend, everybody wants something the other has got, and so it will be to the end of time." He looked long and earnestly at the young couple before he spoke again. "Ah, how very strange is the world! Why should we grope our way in dark, tortuous, and devious paths to destruction when sincerity, truth, courage, and honesty of purpose will do it with less trouble and more certainty. I sent you to St. Petersburg because I knew the peril in which the Emperor, our good and faithful friend, existed--a peril which, if the plot succeeded, would be a grave disaster to our own diplomacy of Great Britain, and to all other countries, save Germany. The plot was formed here, in London, by that traitor, Prince Boris Zouroff, who possessed his Majesty's confidence. But all has ended, my dear Count Corsini, as I had planned." Then rising, the great financier, who was also a statesman, added to Nada: "And I wish to heartily congratulate your Highness upon your husband--a man in whom your Emperor, the Queen of this country, and myself have the most perfect confidence." THE END TRANSCRIBER'S NOTE: Minor changes have been made to correct typesetters' errors; otherwise, every effort has been made to remain true to the author's words and intent. End of the Project Gutenberg EBook of The Intriguers, by William Le Queux *** END OF THIS PROJECT GUTENBERG EBOOK THE INTRIGUERS *** ***** This file should be named 32770.txt or 32770.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/7/7/32770/ Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and
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