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solve in tears. Then he recovered himself, and his voice rang out, clear and firm. "And, at last, Signor, I shall have revenge on those who wronged me and my family." "Say rather, Ivan, justice, not revenge," interrupted the young Italian mildly. "It is the same, Signor, is it not?" cried Ivan. He pointed with his finger to an inert figure in the corner of the room, apparently inanimate. "That is Stepan. I have given him a narcotic in order to prevent accidents. He does not look at his best at the moment. But just go and have a peep at him and see the likeness to yourself." Corsini crossed over the small room and looked at the prostrate form, of the man, wrapped in a deep slumber, and breathing heavily. Yes, Stepan might have been his twin brother under normal conditions. "The time is short," said the outlaw. "We must make you look as like Stepan as possible, with regard to the externals." He went to the door and whistled softly. A small, slouching man answered to the summons. "Paul, my friend," said Ivan in an imperious tone, "I have told you something of this affair. You have got to convert this gentleman into the speaking likeness of our sleeping friend. Do your little tricks at once." The small, slouching man went to work immediately. He stripped off the rough clothes from the slumbering man in the corner, and signalled to Corsini to divest himself of his own garments. In a trice, Corsini was dressed in Stepan's habiliments. He then proceeded to stain his face and hands. When all this was finished, he drew back with a sense of pardonable pride in his own deft handiwork. "_Mon Dieu!_ it is Stepan himself," he cried enthusiastically. Corsini took a survey of himself in a small, cracked mirror that hung in the shabby sitting-room. He cast a further glance at the inert form lying in the corner. Yes, in these rough clothes, with his face and hands stained, he could well pass for Stepan himself in a dim and doubtful light. "It is just about time," said Ivan, when these preparations had been completed. "My friend Paul will conduct you to the villa. There are seven windows on the ground floor, built very high. Underneath the fourth window the blank wall is of wood. You can feel it. There is a small door with a keyhole in the centre. Here is the key. Paul knows it well; he will lead you to it." The small slouching man led Corsini to the villa of Madame Quero. The four silent men followed in
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