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pon the antique form and manner, prefers splendour and elegance to holy solemnity and religious dignity. In this case the lofty, light, airy halls were adorned with rich architecture and the images of saints, which were here placed against the walls, between Ionic pillars, were singularly contrasted by the carving over the doorways, which invariably represented a dance of genii, or fruit and the dainties of the kitchen. The professor entered--I reminded him of my friend, and claimed his hospitality for the period of my forced sojourn in the place. I found him just as my friend had described him; clear in his discourse, acquainted with the world, in short, quite in the style of the higher class priest, who has been scientifically educated, and peeping over his breviary into life, has often sought to know what is going on there. When I found his room furnished with modern elegance, I returned to my former reflections in the halls, and uttered them to the professor aloud. "You are right," said he, "we have banished from our edifices that gloomy solemnity, that strange majesty of the crushing tyrant, who oppresses our bosoms in Gothic architecture, and causes a certain unpleasant sensation, and we have very properly endowed our works with the lively cheerfulness of the ancients." "But," said I, "does not that sacred dignity, that lofty majesty of Gothic architecture which seems, as it were, striving after Heaven, proceed from the true spirit of Christianity, which, supersensual itself, is directly opposed to that sensual spirit of the antique world which remains in the circle of the earthly?" The professor smiled: "The higher kingdom," said he, "should be recognised in this world, and this recognition can be awakened by cheerful symbols, such as life--nay, the spirit which descends from that kingdom into earthly life--presents. Our home is above, but while we dwell here, our kingdom is of this world also." "Ay," thought I, "in every thing that you have done you have indeed shown that your kingdom is of this world--nay, of this world only;" but I did not communicate my thoughts to Professor Aloysius Walter, who proceeded thus: "What you say of the magnificence of our buildings in this place can only refer properly to the pleasant appearance of the form. Here, where we cannot afford marble, and great masters in painting will not work for us, we are--in conformity with the modern fashion--obliged to make use
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