FREE BOOKS

Author's List




PREV.   NEXT  
|<   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63  
64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   >>   >|  
verse heart find in itself publicly to calumniate the man by whose benefits you have been enriched, and of whose thoughtlessness you take advantage, in order with your helpmates to plunge him into misery? Hitherto I have only taken you to be absurd, but good-natured; but I see it is not without a cause that you have the very physiognomy of a fiend! I abhor you!" She pushed him back with vehemence, and then hurried out of the room. The company proceeded to the picture-saloon, where coffee was handed round. "What was the matter with my daughter?" the counsellor asked the painter: "she seemed so hasty, and had tears in her eyes." "A dear good child," answered Eulenboeck with a sneer; "you are truly fortunate, Mr. Privy Counsellor, in a daughter with such a sensitive heart. She was so kindly solicitous about my health; she thinks she sees an inflammation in my eyes, and imagined I might be in danger of losing my sight. That was the cause of her emotion." "Excellent child!" exclaimed the father; "if I could but see her well settled, that I might die in peace!" The stranger had stayed behind to inspect the new picture which Erich was shewing him in the dining-room; they now rejoined the company, and Dietrich followed. They were all engaged in very animated conversation: the stranger blamed the subject of the picture, which Dietrich chose to defend. "If Teniers, and the other Flemish masters," said the latter, "have represented the temptation of St. Anthony in a comic and grotesque manner, it is a fancy which we must excuse, considering the mood in which they painted, and indulgence must be shown to the subordinate talent which was incapable of creating a lofty work. But the subject requires a serious treatment, and the old German master there has undoubtedly succeeded. If the spectator can but be impartial, he will feel himself attracted and gratified by that picture." "The subject," replied the stranger, "is not one for painting. The tormenting dreams of a doting old man, the spectres which he sees in his solitude, and which by delusive charms or horrors endeavour to divert him from his melancholy contemplation, can only fall within the range of grotesque phantoms, and only be exhibited fantastically, if it be permitted to exhibit them at all; whereas the female figure there, which is meant to be noble and at the same time alluring, a naked beauty in the bloom of youth, and which nevertheless is but a spectre in disg
PREV.   NEXT  
|<   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63  
64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   >>   >|  



Top keywords:
picture
 

stranger

 
subject
 

daughter

 
company
 
Dietrich
 
grotesque
 

requires

 

masters

 

Flemish


treatment

 

defend

 

master

 

Teniers

 

German

 

creating

 

painted

 

indulgence

 

excuse

 

manner


Anthony

 

represented

 

undoubtedly

 

temptation

 
incapable
 
subordinate
 

talent

 

dreams

 

exhibit

 

female


figure

 
permitted
 
fantastically
 

phantoms

 

exhibited

 

spectre

 

beauty

 

alluring

 

contemplation

 
replied

gratified
 
painting
 

attracted

 

spectator

 
impartial
 

tormenting

 

doting

 

endeavour

 

divert

 
melancholy