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osed put aside by a little shake of her head, and smiling glance at the piano. Sometimes it was simple wilfulness that made her silent; but Northcote set it down to an angelical sweetness which would not wound even the worst of performances by inattention. They were happy enough sitting there under the shelter of the piano, the young man absorbed in the dreams of a young love, the girl just beginning to realize the adoration which she was receiving, with a timid perception of it--half-frightened, half-grateful. She was in spite of herself amused by the idea only half understood, and which she could scarcely believe, that this big grown man, so much more important than herself in everybody's eyes, should show so much respect to a little girl whom her father scolded, whom Reginald sent trotting about on all sorts of errands, and whom Cousin Anne and Cousin Sophy considered a child. It was very strange, a thing to call forth inextinguishable laughter, and yet with a strange touch of sweetness in it, which almost made her cry in wondering gratitude. What she thought of him, Ursula did not ask herself; that he should think _like this_ of her was the bewildering, extraordinary, ridiculous fact that at present filled her girlish head. But if they were sweet to Northcote, these evenings were the crown of Clarence Copperhead's content and conscious success; he was supremely happy, caressing his fiddle between his cheek and his shoulder, and raising his pale eyes to the ceiling in an ecstasy. The music, and the audience, and the accompanyist all together were delightful to him. He could have gone on he felt not only till midnight, but till morning, and so on to midnight again, with short intervals for refreshment. Every ten minutes or so there occurred a break in the continuity of the strain, and a little dialogue between the performers. "Ah, yes, I have missed a line; never mind; go on, Miss Phoebe, I will make up to you," he said. "It is those accidentals that have been your ruin," said Phoebe laughing; "it is a very hard passage, let us turn back and begin again," and then the audience would laugh, not very sweetly, and (some of them) make acrid observations; but the pianist was good-nature itself, and went back and counted and kept time with her head, and with her hand when she could take it from the piano, until she had triumphantly tided him over the bad passage, or they had come to the point of shipwreck again. Durin
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