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ine-looking woman of thirty-eight. She does not appear this age for her strenuous life in the open has kept her young and fresh. She possesses the frank, clear, direct quality of outdoors, outspoken and generous. Her wavy hair is a dark brown, her eyes blue-gray. CURTIS JAYSON is a tall, rangy, broad-shouldered man of thirty-seven. While spare, his figure has an appearance of rugged health, of great nervous strength held in reserve. His square-jawed, large-featured face retains an eager boyish enthusiasm in spite of its prevailing expression of thoughtful, preoccupied aloofness. His crisp dark hair is graying at the temples. EDWARD BIGELOW is a large, handsome man of thirty-nine. His face shows culture and tolerance, a sense of humor, a lazy unambitious contentment. CURTIS is reading an article in some scientific periodical, seated by the table. MARTHA and BIGELOW are sitting nearby, laughing and chatting. BIGELOW--[Is talking with a comically worried but earnest air.] Do you know, I'm getting so I'm actually afraid to leave them alone with that governess. She's too romantic. I'll wager she's got a whole book full of ghost stories, superstitions, and yellow-journal horrors up her sleeve. MARTHA--Oh, pooh! Don't go milling around for trouble. When I was a kid I used to get fun out of my horrors. BIGELOW--But I imagine you were more courageous than most of us. MARTHA--Why? BIGELOW--Well, Nevada--the Far West at that time--I should think a child would have grown so accustomed to violent scenes-- MARTHA--[Smiling.] Oh, in the mining camps; but you don't suppose my father lugged me along on his prospecting trips, do you? Why, I never saw any rough scenes until I'd finished with school and went to live with father in Goldfield. BIGELOW--[Smiling.] And then you met Curt. MARTHA--Yes--but I didn't mean he was a rough scene. He was very mild even in those days. Do tell me what he was like at Cornell. BIGELOW--A romanticist--and he still is! MARTHA--[Pointing at CURTIS with gay mischief.] What! That sedate man! Never! CURTIS--[Looking up and smiling at them both affectionately--lazily.] Don't mind him, Martha. He always was crazy. BIGELOW--[To CURT--accusingly.] Why did you elect to take up mining engineering at Cornell instead of a classical degree at the Yale of your fathers and brothers? Because you had been reading Bret Harte in prep. school and mistaken him for a modern realist. You devoted four y
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