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, as Sir Walter has said, interminable--for we were unwilling to have any of our favorite knights killed. Our passion for romance led us to learn Italian together; after a time we could both read it with fluency, and we then copied such tales as we had met with in that language, being a continued succession of battles and enchantments. He began early to collect old ballads, and as my mother could repeat a great many, he used to come and learn those she could recite to him. He used to get all the copies of these ballads he could, and select the best." [Footnote 57: George, ninth Earl of Dalhousie, highly distinguished in the military annals of his time, died on the 21st March, 1838, in his 68th year.] These, {p.106} no doubt, were among the germs of the collection of ballads in six little volumes, which, from the handwriting, had been begun at this early period, and which is still preserved at Abbotsford. And it appears that at least as early a date must be ascribed to another collection of little humorous stories in prose, the _Penny Chap-books_, as they are called, still in high favor among the lower classes in Scotland, which stands on the same shelf. In a letter of 1830[58] he states that he had bound up things of this kind to the extent of several volumes, before he was ten years old. [Footnote 58: See Strang's _Germany in 1831_, vol. i. p. 265.] Although the Ashestiel Memoir mentions so very lightly his boyish addiction to verse, and the rebuke which his vein received from the apothecary's blue-buskined wife as having been followed by similar treatment on the part of others, I am inclined to believe that while thus devouring, along with his young friend, the stories of Italian romance, he essayed, from time to time, to weave some of their materials into rhyme;--nay, that he must have made at least one rather serious effort of this kind, as early as the date of these rambles to the Salisbury Crags. I have found among his mother's papers a copy of verses, headed, "_Lines to Mr. Walter Scott--on reading his poem of Guiscard and Matilda, inscribed to Miss Keith of Ravelston_." There is no date; but I conceive the lines bear internal evidence of having been written when he was very young--not, I should suppose, above fourteen or fifteen at most. I think it also certain that the writer was a woman; and have almost as little
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