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was feeling what everybody else in the world felt. She hadn't any idea she was different. "You know," she said, "how it is when you sit quiet, you know it's there--something good, it floods all over you. It's like people you love make you feel, only more. Just like something beautiful that can get right inside your heart!" Now this may seem queer to you, for Moira was only a little girl of twelve, but there was a look on her face of just sheer, wonderful love, the way you see a girl look sometimes, or a young mother. It was so beautiful that it brought tears to my eyes. That was the last time I worried about Moira for a long time, for, think I, anything as beautiful as that is holy even if it ain't regular. I told Mis' MacFarland about our talk. "What do you think she means when she says 'her good'? Is it like feeling God's near?" I asked. She shook her head. "I don't believe it," she said. "It's more human than that. I think it's someone _out there_ that Moira loves--" "How you talk!" I said. "Someone out there! If you keep on like this you'll be fey, as my old grandmother used to call it." "Well," she said, "when you get to where I am, lots of things that seem curious at first thought don't seem a mite more curious than birth or death. Not as curious even, when you come to think about it. What's there so curious I'd like to know, Jane McQuarry, about sensing the feelings of somebody else off to a distance? How about your own mother, the night your brother was lost at sea; didn't she know that and hadn't you all mourned him dead for two months before the real word came to you?" I couldn't deny this, and I felt that the wind was taken out of my sails. I suppose it was all along with that feeling of hers, with not making a difference between those that were dead and those that were not. All the world was mysterious, and she had a sense of the wonder of the least blade of grass in it, so the things that were not so usual as you might say didn't disturb her any. "Why," says she, "sometimes I sit in a maze just to look at this room." "Why, what ails this room?" said I. 'T was a room like many you've seen hereabouts, with a good horse-hair sofy and the mahogany furniture nice and shiny from being varnished every spring, and over the sofy was thrown a fur rug made in lozenges of harp seal and some other fur and a dark fur border. It was real pretty--it was always wonderful to me that folks like Eskimos
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