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ther than contradicted by the early colonists. These describe, with exultation, their new acquaintance, when writing to their friends: how peaceful, light-hearted, and obliging. They are charmed by their simplicity; they sleep among them without fear: but these notes soon change; and passing from censure to hatred, they speak of them as improvident, importunate, and instrusive; as rapacious and mischievous; then as treacherous and blood-thirsty--finally, as _devils_, and beasts of prey. Their appearance is offensive, their proximity obstructive: their presence renders everything insecure. Thus the muskets of the soldier, and of the bandit, are equally useful; they clear the land of a detested incubus. It is not in the nature of civilisation to exalt the savage. Chilled by the immensity of the distance, he cannot be an equal: his relation to the white can only be that of an alien, or a slave. By the time astonishment subsides, the power of civilised men is understood, and their encroachment is felt. Fine houses garrison his country, enclosures restrict his chase, and alternately fill him with rage and sadness. He steals across the land he once held in sovereignty, and sighs for the freedom and fearlessness of his ancestors: he flies the track of his invaders, or surprises them with his vengeance;--a savage he was found, and a savage he perishes! REMARKS ON THE CAUSES OF THE BURNING OF THE DEAD BY THE VAN DIEMENESE. [From Peron's Voyage, 1802.] "On a wide swarth of verdure (at Maria Island), beneath some antique casuarinae, rose a cone, formed coarsely of the bark of trees inserted at bottom in the ground, and terminated at top by a large band of similar materials. Four long poles stuck in the earth, sustained and served for all the pieces of bark to lean against; these four poles seemed also calculated to ornament the building; for, instead of uniting all their upper extremity like the bark, and so forming a simple cone, they crossed each other about the middle, and then extended without the roof of the ornament. From this disposition resulted a sort of inverted tetracdic pyramid in the upper part opposed to the cone below. This contrast of form in the two parts of the building had a somewhat graceful effect, which was increased by the following additions:--With each of the four sides of the pyramid corresponded a wide strip of bark, the two bent extremities of which were at the bottom bound together by t
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