which may
grow by the hand of culture in every human soul. It is the flower of
the spirit which blossoms on the tree of life. Every soul may plant
and nurture it in its own garden, in its own Eden.
3. WE MAY ALL BE BEAUTIFUL.--This is the capacity of beauty that God
has given to the human soul, and this the beauty placed within
the reach of all. We may all be beautiful. Though our forms may
be uncomely and our features not the prettiest, our spirits may be
beautiful. And this inward beauty always shines through. A beautiful
heart will flash out in the eye. A lovely soul will glow in the face.
A sweet spirit will tune the voice, wreathe the countenance in charms.
Oh, there is a power in interior beauty that melts the hardest heart!
4. WOMAN THE MOST PERFECT TYPE OF BEAUTY.--Woman, by common consent,
we regard as the most perfect type of beauty on earth. To her we
ascribe the highest charms belonging to this wonderful element so
profusely mingled in all God's works. Her form is molded and finished
in exquisite delicacy of perfection. The earth gives us no form
more perfect, no features more symmetrical, no style more chaste, no
movements more graceful, no finish more complete; so that our artists
ever have and ever will regard the woman-form of humanity as the
most perfect earthly type of beauty. This form is most perfect and
symmetrical in the youth of womanhood; so that the youthful woman is
earth's queen of beauty. This is true, not only by the common consent
of mankind, but also by the strictest rules of scientific criticism.
5. FADELESS BEAUTY.--There cannot be a picture without its bright
spots; and the steady contemplation of what is bright in others, has
a reflex influence upon the beholder. It reproduces what it reflects.
Nay, it seems to leave an impress even upon the countenance. The
feature, from having a dark, sinister aspect, becomes open, serene,
and sunny. A countenance so impressed, has neither the vacant stare of
the idiot, nor the crafty, penetrating look of the basilisk, but the
clear, placid aspect of truth and goodness. The woman who has such
a face is beautiful. She has a beauty which changes not with the
features, which fades not with years. It is beauty of expression. It
is the only kind of beauty which can be relied upon for a permanent
influence with the other sex. The violet will soon cease to smile.
Flowers must fade. The love that has nothing but beauty to sustain it,
soon withers away.
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