he measure. It would indeed he a strange sight to see
Lord Johnny and Sir Bobby, the two great leaders of the opposition
engines, with their followers, meeting amicably on the floor of the House
of Commons. In our opinion, an infernal crash and smash would be the
result of these

[ILLUSTRATION: GRAND JUNCTION TRAINS.]

* * * * *

THE DRAMA.

The "star system" has added another victim to the many already sacrificed
to its rapacity and injustice. Mr. Phelps, an actor whose personation of
_Macduff_, the _Hunchback, Jaques_, &c., would have procured for
him in former times no mean position, has been compelled to secede from
the Haymarket Theatre from a justifiable feeling of disgust at the
continual sacrifices he was required to make for the aggrandisement of one
to whom he may not possibly ascribe any superiority of genius. The part
assigned to Mr. Phelps (_Friar Lawrence_) requires an actor of
considerable powers, and under the old _regime_ would have
deteriorated nothing from Mr. Phelps' position; but we can understand the
motives which influenced its rejection, and whilst we deprecate the
practice of actors refusing parts on every caprice, we consider Mr.
Phelps' opposition to this ruinous system of "starring" as commendable and
manly. The real cause of the decline of the drama is the upholding of this
system. The "stars" are paid so enormously, and cost so much to maintain
them in their false position, that the manager cannot afford (supposing
the disposition to exist) to pay the working portion of his company
salaries commensurate with their usefulness, or compatible with the
appearance they are expected to maintain out of the theatre; whilst
opportunities of testing their powers as actors, or of improving any
favourable impression they may have made upon the public, is denied to
them, from the fear that the influence of the greater, because more
fortunate actor, may be diminished thereby. These facts are now so well
known, that men of education are deterred from making the stage a
profession, and consequently the scarcity of rising actors is referable to
this cause.

The poverty of our present dramatic literature may also be attributable to
this absurd and destructive system. The "star" must be considered alone in
the construction of the drama; or if the piece be not actually made to
measure, the actor, _par excellence_, must be the arbiter of the
author's creation. Writers are