FREE BOOKS

Author's List




PREV.   NEXT  
|<   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146  
147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   >>   >|  
ar, genuine of their kind:-- Facies non omnibus una, Nec diversa tamen: and yet so close is the generic likeness between flower and flower of the same lyrical garden that the first half of the quotation seems but half applicable here. In Bird's, Morley's, Dowland's collections of music with the words appended--in such jewelled volumes as _England's Helicon_ and _Davison's Poetical Rhapsody_--their name is Legion, their numbers are numberless. You cannot call them imitators, this man of that, or all of any; they were all of one school, but it was a school without a master or a head. And even so it was with the earliest sect or gathering of dramatic writers in England. Marlowe alone stood apart and above them all--the young Shakespeare among the rest; but among these we cannot count, we cannot guess, how many were wellnigh as competent as he to continue the fluent rhyme, to prolong the facile echo, of Greene and Peele, their first and most famous leaders. No more docile or capable pupil could have been desired by any master in any art than the author of _David and Bethsabe_ has found in the writer of this second act. He has indeed surpassed his model, if not in grace and sweetness, yet in taste or tact of expression, in continuity and equality of style. Vigour is not the principal note of his manner, but compared with the soft effusive ebullience of his master's we may fairly call it vigorous and condensed. But all this merit or demerit is matter of mere language only. The poet--a very pretty poet in his way, and doubtless capable of gracious work enough in the idyllic or elegiac line of business--shows about as much capacity to grasp and handle the fine intimacies of character and the large issues of circumstance to any tragic or dramatic purpose, as might be expected from an idyllic or elegiac poet who should suddenly assume the buskin of tragedy. Let us suppose that Moschus, for example, on the strength of having written a sweeter elegy than ever before was chanted over the untimely grave of a friend and fellow-singer, had said within himself, "Go to, I will be Sophocles"; can we imagine that the tragic result would have been other than tragical indeed for the credit of his gentle name, and comical indeed for all who might have envied the mild and modest excellence which fashion or hypocrisy might for years have induced them to besprinkle with the froth and slaver of their promiscuous and poin
PREV.   NEXT  
|<   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146  
147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   >>   >|  



Top keywords:

master

 

dramatic

 

school

 

flower

 

capable

 

idyllic

 

tragic

 

elegiac

 
England
 

imagine


gracious
 

pretty

 

result

 
besprinkle
 

doubtless

 
business
 
intimacies
 

induced

 

character

 

handle


capacity

 

fairly

 
tragical
 

vigorous

 
condensed
 

ebullience

 

effusive

 

manner

 
compared
 

slaver


language

 

promiscuous

 

demerit

 

matter

 

issues

 

Sophocles

 

modest

 

written

 
envied
 
sweeter

excellence

 

strength

 

credit

 

untimely

 

singer

 

friend

 

fellow

 

chanted

 

comical

 

principal