I went to work pell-mell, blotted several sheets of paper with choice
floating thoughts, and battles, and descriptions, to be ready at a
moment's warning. In a few days' time I sketched out the skeleton of my
poem, and nothing was wanting but to give it flesh and blood. I used to
take my manuscript and stroll about Caen Wood, and read aloud; and
would dine at the castle, by way of keeping up the vein of thought.

I was taking a meal there, one day, at a rather late hour, in the
public room. There was no other company but one man, who sat enjoying
his pint of port at a window, and noticing the passers-by. He was
dressed in a green shooting coat. His countenance was strongly marked.
He had a hooked nose, a romantic eye, excepting that it had something
of a squint; and altogether, as I thought, a poetical style of head. I
was quite taken with the man, for you must know I am a little of a
physiognomist: I set him down at once for either a poet or a
philosopher.

As I like to make new acquaintances, considering every man a volume of
human nature, I soon fell into conversation with the stranger, who, I
was pleased to find, was by no means difficult of access. After I had
dined, I joined him at the window, and we became so sociable that I
proposed a bottle of wine together; to which he most cheerfully
assented.

I was too full of my poem to keep long quiet on the subject, and began
to talk about the origin of the tavern, and the history of Jack Straw.
I found my new acquaintance to be perfectly at home on the topic, and
to jump exactly with my humor in every respect. I became elevated by
the wine and the conversation. In the fullness of an author's feelings,
I told him of my projected poem, and repeated some passages; and he was
in raptures. He was evidently of a strong poetical turn.

"Sir," said he, filling my glass at the same time, "our poets don't
look at home. I don't see why we need go out of old England for robbers
and rebels to write about. I like your Jack Straw, sir. He's a
home-made hero. I like him, sir. I like him exceedingly. He's English
to the back bone, damme. Give me honest old England, after all; them's
my sentiments, sir!"

"I honor your sentiments," cried I zealously. "They are exactly my own.
An English ruffian for poetry is as good a ruffian for poetry as any in
Italy or Germany, or the Archipelago; but it is hard to make our poets
think so."

"More shame for them!" replied the man in green. "W