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The Project Gutenberg EBook of The Cabinet Minister, by Arthur Pinero This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Cabinet Minister A farce in four acts Author: Arthur Pinero Release Date: October 1, 2010 [EBook #33957] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE CABINET MINISTER *** Produced by K Nordquist, Branko Collin, Louise Pattison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) _The Cabinet Minister_ [Illustration] _Arthur W. Pinero_ _THE CABINET MINISTER_ _THE PLAYS OF ARTHUR W. PINERO._ IN MONTHLY VOLUMES. Price _1s. 6d._, paper; _2s. 6 d._, cloth. 1. _+The Times.+ A Comedy in Four Acts._ 2. _+The Profligate.+ A Play in Four Acts. With a Portrait, and a Preface by Malcolm C. Salaman._ 3. _+The Cabinet Minister.+ A Farce in Four Acts. With an Introductory Note by Malcolm C. Salaman._ 4. _+The Hobby Horse.+ [Ready February._ _To be followed by "Lady Bountiful," "Dandy Dick," "The Magistrate," "The Schoolmistress," "The Weaker Sex," "Lords and Commons," "The Squire," and "Sweet Lavender."_ THE CABINET MINISTER A FARCE In Four Acts By ARTHUR W. PINERO LONDON: WILLIAM HEINEMANN MDCCCXCII COPYRIGHT, JANUARY 1892. _All rights reserved._ _Entered at Stationers' Hall._ _Entered at the Library of Congress, Washington, U.S.A._ INTRODUCTORY NOTE It is well known that Mr. Pinero holds decided views of his own as to the nature and function of farce; indeed, he claims for it a wider scope and a more comprehensive purpose than have ever been associated with farce of the old Adelphi type, or the more modern genus of the Palais Royal. He has openly expressed his opinion that farce must gradually become the modern equivalent of comedy, since the present being an age of sentiment rather than of manners, the comic playwright must of necessity seek his humour in the exaggeration of sentiment. Thus Mr. Pinero holds that farce should treat of probable people placed in possible cir
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