vine,"
here praying, there fighting; here devouring, there in the act of being
devoured; not uncommonly too the men, if men they must be called, are
disfigured by enormous heads with great flapping ears, or loll out an
endless length of tongue.--One is almost led to conceive that Schedel,
the compiler of the _Nuremberg Chronicle_, had a set of Norman capitals
before his eyes, when he published his inimitable series of monsters.
His "homines cynocephali," and others with "aures tam magnas ut totum
corpus contegant," and those again whose under lips serve them as
coverlids, may all find their prototypes, or nearly so, in the carvings
of St. Georges.

The most curious sculptures, however, in the church, are two square
bas-reliefs, opposite to one another, upon the spandrils of the arches,
in the walls that divide the extremities of the transepts into different
stories[4]. They are cut out of the solid stone, in the same manner as
the subjects on the block of a wood-engraving: one of these tablets
represents a prelate holding a crosier in his left hand, while the two
fore-fingers of the right are elevated in the act of giving the
blessing; the other contains two knights on horseback, jousting at a
tournament. They are armed with lance and buckler, and each of them has
his head covered with a pointed helmet, which terminates below in a
nasal, like the figures upon the Bayeux tapestry.--This coincidence is
interesting, as deciding a point of some moment towards establishing the
antiquity of that celebrated relic, by setting it beyond a doubt that
such helmets were used anterior to the conquest; for it is certain that
these basso-relievos are coeval with the building which contains them.

This church affords admirable subjects for the pencil. It should be
drawn in every part: all is entire; all original; the corbel-stones that
support the cornice on the exterior are perfect, as well along the choir
and nave, as upon the square central steeple: each of the sides of this
latter is ornamented with a double tier of circular arches. The
buttresses to the church are, like those of the chapel of St. Julien,
shallow and unbroken; and they are ranged, as there, between the
windows. At the east end alone they take the shape of small
semi-cylindrical columns of disproportionate length.

[Illustration: Sculpture upon a capital in the Chapter-House at St.
Georges]

The monastic buildings, which were probably erected about the year
170