ting into bed.
It was as if after growing and radiating, like a planet ascending to the
zenith, he had again sunk to the level of the soil in all human
mediocrity. Again did Pierre find him puny and fragile, with the slender
neck of a little sick bird, and all those marks of senile ugliness which
rendered him so exacting with regard to his portraits, whether they were
oil paintings or photographs, gold medals, or marble busts, for of one
and the other he would say that the artist must not portray "Papa Pecci"
but Leo XIII, the great Pope, of whom he desired to leave such a lofty
image to posterity. And Pierre, after momentarily ceasing to see them,
was again embarrassed by the handkerchief which lay on the Pope's lap,
and the dirty cassock soiled by snuff. His only feelings now were
affectionate pity for such white old age, deep admiration for the
stubborn power of life which had found a refuge in those dark black eyes,
and respectful deference, such as became a worker, for that large brain
which harboured such vast projects and overflowed with such innumerable
ideas and actions.

The audience was over, and the young man bowed low: "I thank your
Holiness for having deigned to give me such a fatherly reception," he
said.

However, Leo XIII detained him for a moment longer, speaking to him of
France and expressing his sincere desire to see her prosperous, calm, and
strong for the greater advantage of the Church. And Pierre, during that
last moment, had a singular vision, a strange haunting fancy. As he gazed
at the Holy Father's ivory brow and thought of his great age and of his
liability to be carried off by the slightest chill, he involuntarily
recalled the scene instinct with a fierce grandeur which is witnessed
each time a pope dies. He recalled Pius IX, Giovanni Mastai, two hours
after death, his face covered by a white linen cloth, while the
pontifical family surrounded him in dismay; and then Cardinal Pecci, the
_Camerlingo_, approaching the bed, drawing aside the veil and dealing
three taps with his silver hammer on the forehead of the deceased,
repeating at each tap the call, "Giovanni! Giovanni! Giovanni!" And as
the corpse made no response, turning, after an interval of a few seconds,
and saying: "The Pope is dead!" And at the same time, yonder in the Via
Giulia Pierre pictured Cardinal Boccanera, the present _Camerlingo_,
awaiting his turn with his silver hammer, and he imagined Leo XIII,
otherwise Gioachino