the address: "To his
most Reverend and most Illustrious Eminence, Cardinal Boccanera." And
when he had placed everything in his pocket again, he drew a long breath
and once more called back his laugh.

A kind of invincible discomfort, a far-away terror had momentarily frozen
him. Without being guided by any clear train of reasoning, he had felt
the need of protecting himself against any cowardly temptation, any
possible abomination. He could not have told what course of ideas had
induced him to write those four lines without a moment's delay, on the
very spot where he stood, under penalty of contributing to a great
catastrophe. But one thought was firmly fixed in his brain, that on
leaving the ball he would go to the Via Giulia and throw that note into
the letter-box at the Palazzo Boccanera. And that decided, he was once
more easy in mind.

"Why, what is the matter with you, my dear Abbe?" he inquired on again
joining in the conversation of the two friends. "You are quite gloomy."
And on Pierre telling him of the bad news which he had received, the
condemnation of his book, and the single day which remained to him for
action if he did not wish his journey to Rome to result in defeat, he
began to protest as if he himself needed agitation and diversion in order
to continue hopeful and bear the ills of life. "Never mind, never mind,
don't worry yourself," said he, "one loses all one's strength by
worrying. A day is a great deal, one can do ever so many things in a day.
An hour, a minute suffices for Destiny to intervene and turn defeat into
victory!" He grew feverish as he spoke, and all at once added, "Come,
let's go to the ball-room. It seems that the scene there is something
prodigious."

Then he exchanged a last loving glance with Lisbeth whilst Pierre and
Narcisse followed him, the three of them extricating themselves from
their corner with the greatest difficulty, and then wending their way
towards the adjoining gallery through a sea of serried skirts, a billowy
expanse of necks and shoulders whence ascended the passion which makes
life, the odour alike of love and of death.

With its eight windows overlooking the Corso, their panes uncurtained and
throwing a blaze of light upon the houses across the road, the picture
gallery, sixty-five feet in length and more than thirty in breadth,
spread out with incomparable splendour. The illumination was dazzling.
Clusters of electric lamps had changed seven pairs of hug