burnt within.

A low broad window above a window-seat forms the background to
his figure; and through its lattice panes are seen the outer
gate and yew-trees of a churchyard and the porch of a church,
bathed in May sunlight. The front door at right angles to the
window-seat, leads to the village green, and a door on the left
into the house.

It is the third movement of Veracini's violin sonata that
STRANGWAY plays. His back is turned to the door into the house,
and he does not hear when it is opened, and IVY BURLACOMBE, the
farmer's daughter, a girl of fourteen, small and quiet as a
mouse, comes in, a prayer-book in one hand, and in the other a
gloss of water, with wild orchis and a bit of deep pink
hawthorn. She sits down on the window-seat, and having opened
her book, sniffs at the flowers. Coming to the end of the
movement STRANGWAY stops, and looking up at the face on the
wall, heaves a long sigh.

IVY. [From the seat] I picked these for yu, Mr. Strangway.

STRANGWAY. [Turning with a start] Ah! Ivy. Thank you. [He puts
his flute down on a chair against the far wall] Where are the
others?

As he speaks, GLADYS FREMAN, a dark gipsyish girl, and CONNIE
TRUSTAFORD, a fair, stolid, blue-eyed Saxon, both about sixteen,
come in through the front door, behind which they have evidently
been listening. They too have prayer-books in their hands.
They sidle past Ivy, and also sit down under the window.

GLADYS. Mercy's comin', Mr. Strangway.

STRANGWAY. Good morning, Gladys; good morning, Connie.

He turns to a book-case on a table against the far wall, and
taking out a book, finds his place in it. While he stands thus
with his back to the girls, MERCY JARLAND comes in from the
green. She also is about sixteen, with fair hair and china-blue
eyes. She glides in quickly, hiding something behind her, and
sits down on the seat next the door. And at once there is a
whispering.

STRANGWAY. [Turning to them] Good morning, Mercy.

MERCY. Good morning, Mr. Strangway.

STRANGWAY. Now, yesterday I was telling you what our Lord's coming
meant to the world. I want you to understand that before He came
there wasn't really love, as we know it. I don't mean to say that
there weren't many good people; but there wasn't love for the sake of
loving. D'you think you under