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and could there be any sacrifice, any offering, more agreeable to those on high than the feeding of people whom they allow to live by thrusting them on the charity of fellow-beings? These strangers are after all but children of the same spiritual parents from the upper world, and as such they are brothers, sisters, and relatives. That the strangers are village Indians can easily be seen. It is proved by the cut of the hair, and by the rags which still protect their bodies from absolute nakedness. But the tongue they speak is different from that spoken by the people of Hishi. To us, however, it is not new. We have heard that dialect before. It is the Queres language, the language of the Rito. The strangers are the lost ones whom Hayoue and Zashue have sought so anxiously and with so much suffering, and for the sake of whom they have exposed their lives a hundred times perhaps, in vain. Zashue was right, the fugitives had turned south from the Bocas; and had Hayoue been less self-sufficient they would have found them ere now. Still we miss among that little band of Queres fugitives those with whom we have become more closely acquainted. [Illustration: Ruins of an Ancient Pueblo] In vain we look for Say Koitza, for Mitsha, for Okoya. Can it be true, as Hayoue surmised, that his bosom friend, Zashue's eldest son, is dead? The throwing about of fruit has ceased; the dance is resumed, and new figures may appear. Everybody hushes, and fastens his gaze on the performance. The dancers have formed a wide ring. Men and women hold each other by the hands, and dance in a circle around the place which has been covered with objects of sacrifice. One after the other, the Koshare, the Cuirana, after them each one of the four sections, step within the circle, stamping down the fruits spread out there. Two or three of the Delight Makers improve the occasion to cut some of their usual capers, and the spectators laugh to their heart's content. Laughter is contagious, it captures even the melancholy group of Queres; the old among them smile, the young chuckle, the children shout and yell from sheer delight. One boy in particular is very conspicuous from the intense interest he takes in everything the Koshare are doing. He is about ten years of age. A dirty breech-clout constitutes his only vestment, but a necklace of multi-coloured pebbles adorns his neck; and as often as a Koshare grimaces, or makes an extraordinary gesture, or
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