FREE BOOKS

Author's List




PREV.   NEXT  
|<   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312  
313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   >>   >|  
he AEolian accompaniment. He seemed in a deep reverie, and to be soliloquizing to himself by music. After a little, he opened one of the drawers, took out an old music-book whose leaves were yellow with age, and began turning it over. "There," he said to Miss Ophelia, "this was one of my mother's books,--and here is her handwriting,--come and look at it. She copied and arranged this from Mozart's Requiem." Miss Ophelia came accordingly. "It was something she used to sing often," said St. Clare. "I think I can hear her now." He struck a few majestic chords, and began singing that grand old Latin piece, the "Dies Irae." Tom, who was listening in the outer verandah, was drawn by the sound to the very door, where he stood earnestly. He did not understand the words, of course; but the music and manner of singing appeared to affect him strongly, especially when St. Clare sang the more pathetic parts. Tom would have sympathized more heartily, if he had known the meaning of the beautiful words: Recordare Jesu pie Quod sum causa tuar viae Ne me perdas, illa die Querens me sedisti lassus Redemisti crucem passus Tantus laor non sit cassus.* * These lines have been thus rather inadequately translated: Think, O Jesus, for what reason Thou endured'st earth's spite and treason, Nor me lose, in that dread season; Seeking me, thy worn feet hasted, On the cross thy soul death tasted, Let not all these toils be wasted. [Mrs. Stowe's note.] St. Clare threw a deep and pathetic expression into the words; for the shadowy veil of years seemed drawn away, and he seemed to hear his mother's voice leading his. Voice and instrument seemed both living, and threw out with vivid sympathy those strains which the ethereal Mozart first conceived as his own dying requiem. When St. Clare had done singing, he sat leaning his head upon his hand a few moments, and then began walking up and down the floor. "What a sublime conception is that of a last judgment!" said he,--"a righting of all the wrongs of ages!--a solving of all moral problems, by an unanswerable wisdom! It is, indeed, a wonderful image." "It is a fearful one to us," said Miss Ophelia. "It ought to be to me, I suppose," said St. Clare stopping, thoughtfully. "I was reading to Tom, this afternoon, that chapter in Matthew that gives an account of it, and I have been quite struck with it. One sh
PREV.   NEXT  
|<   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312  
313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   332   333   334   335   336   337   >>   >|  



Top keywords:

Ophelia

 

singing

 
Mozart
 

struck

 
pathetic
 

mother

 

endured

 
reason
 

shadowy

 

expression


translated

 

instrument

 

leading

 
tasted
 

season

 

Seeking

 
hasted
 

living

 

treason

 

wasted


leaning
 

wisdom

 
unanswerable
 
wonderful
 

fearful

 
problems
 

righting

 

judgment

 

wrongs

 

solving


account

 

Matthew

 

chapter

 
stopping
 

suppose

 

thoughtfully

 

reading

 

afternoon

 

conception

 

requiem


conceived

 

sympathy

 
strains
 

ethereal

 

sublime

 

walking

 

inadequately

 

moments

 

copied

 
arranged