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s he lay there, waiting, and what did he think of it? That his farming had been interesting though difficult, and much interrupted? That his fellow-men had really asked a good many sacrifices of him, and not left him nearly as much time as he wished for his fields? Or did he think that in death he would at least have no more trouble with teeth? A set of dental instruments was found in one of his drawers after the funeral. In others were memoranda about affairs of state he had worked at, and various kinds of plows he had tried, and his farming accounts. His name was George Washington. * * * * * Transcribers Notes: A. Passages in italics are surrounded by _underscores_. B. Table of Contents: Original text abbreviated some of the Chapter titles, specifically; 1. "Improving the Lives of the Rich", (pg. 118) the full title is: "Annual Report of the League for Improving the Lives of the Rich"; 2. "A Wild Polish Hero", (pg. 165); the full title is: "A Wild Polish Hero and the Reverend Lyman Abbott" C. Printers errors corrected; 1. pg. 143 - "it" to "is" (I fear there is not.) 2. pg. 180 - "he" to "be" (should be arranged.) D. List of word variations appearing in this text which have been retained; 1. "businesslike" and "business-like" 2. "offhand" and "off-hand" 3. "sunsets" and "sun-sets" 4. "today" and "to-day" E. In the words "Front-de-Boeuf" appearing once in this text on page 13, the printer used an [oe] ligature, which has been removed. End of the Project Gutenberg EBook of The Crow's Nest, by Clarence Day, Jr. *** END OF THIS PROJECT GUTENBERG EBOOK THE CROW'S NEST *** ***** This file should be named 31480.txt or 31480.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/4/8/31480/ Produced by Christine Aldridge, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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