FREE BOOKS

Author's List




PREV.   NEXT  
|<   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64  
65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   >>   >|  
enemy. [16] Memoires de Commynes, liv. vii. ch. xviii. [17] Appendix 6, "Renaissance Ornaments." [18] Appendix 7, "Varieties of the Orders." [19] The reader will find the _weak_ points of Byzantine architecture shrewdly seized, and exquisitely sketched, in the opening chapter of the most delightful book of travels I ever opened,--Curzon's "Monasteries of the Levant." [20] Appendix 8, "The Northern Energy." [21] Appendix 9, "Wooden Churches of the North." [22] Appendix 10, "Church of Alexandria." [23] Appendix 11, "Renaissance Landscape." [24] Selvatico, "Architettura di Venezia," p. 147. [25] Selvatico, p. 221. [26] The older work is of Istrian stone also, but of different quality. [27] Appendix 12, "Romanist Modern Art." CHAPTER II. THE VIRTUES OF ARCHITECTURE. Sec. I. We address ourselves, then, first to the task of determining some law of right which we may apply to the architecture of all the world and of all time; and by help of which, and judgment according to which, we may easily pronounce whether a building is good or noble, as, by applying a plumb-line, whether it be perpendicular. The first question will of course be: What are the possible Virtues of architecture? In the main, we require from buildings, as from men, two kinds of goodness: first, the doing their practical duty well: then that they be graceful and pleasing in doing it; which last is itself another form of duty. Then the practical duty divides itself into two branches,--acting and talking:--acting, as to defend us from weather or violence; talking, as the duty of monuments or tombs, to record facts and express feelings; or of churches, temples, public edifices, treated as books of history, to tell such history clearly and forcibly. We have thus, altogether, three great branches of architectural virtue, and we require of any building,-- 1. That it act well, and do the things it was intended to do in the best way. 2. That it speak well, and say the things it was intended to say in the best words. 3. That it look well, and please us by its presence, whatever it has to do or say.[28] Sec. II. Now, as regards the second of these virtues, it is evident that we can establish no general laws. First, because it is not a virtue required in all buildings; there are some which are only for covert or defence, and from which we ask no conversati
PREV.   NEXT  
|<   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64  
65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   >>   >|  



Top keywords:
Appendix
 

architecture

 

talking

 

acting

 
virtue
 
history
 

branches

 
practical
 

require

 

building


buildings

 

things

 
Selvatico
 

Renaissance

 
intended
 
virtues
 

evident

 

establish

 
Virtues
 

graceful


pleasing

 

general

 

covert

 
defence
 

required

 
presence
 

goodness

 

conversati

 

edifices

 

treated


forcibly

 

architectural

 
altogether
 

public

 

temples

 

defend

 
divides
 
weather
 

express

 

feelings


churches

 

record

 

violence

 

monuments

 
easily
 

opened

 
Curzon
 

Monasteries

 
travels
 

opening