uire considerable intellectual power for their pursuit,
and yet become contemptible by the slightness of what they accomplish:
metaphysics, for instance, exercising intelligence of a high order, yet
useless to the mass of mankind, and, to its own masters, dangerous. Yet,
as it has become so by the want of the true intelligence which its
inquiries need, and by substitution of vain subtleties in its stead, it
may in future vindicate for itself a higher rank than a man of common
sense usually concedes to it.
Nevertheless, the mere attempt at arrangement must be useful, even where
it does nothing more than develop difficulties. Perhaps the greatest
fault of men of learning is their so often supposing all other branches
of science dependent upon or inferior to their own best beloved branch;
and the greatest deficiency of men comparatively unlearned, their want
of perception of the connection of the branches with each other. He who
holds the tree only by the extremities, can perceive nothing but the
separation of its sprays. It must always be desirable to prove to those
the equality of rank, to these the closeness of sequence, of what they
had falsely supposed subordinate or separate. And, after such candid
admission of the co-equal dignity of the truly noble arts and sciences,
we may be enabled more justly to estimate the inferiority of those which
indeed seem intended for the occupation of inferior powers and narrower
capacities. In Appendix 14, following, some suggestions will be found as
to the principles on which classification might be based; but the
arrangement of all the arts is certainly not a work which could with
discretion be attempted in the Appendix to an essay on a branch of one
of them.
14. DIVISIONS OF HUMANITY.
The reader will probably understand this part of the subject better if
he will take the trouble briefly to consider the actions of the mind and
body of man in the sciences and arts, which give these latter the
relations of rank usually attributed to them.
It was above observed (Appendix 13) that the arts were generally ranked
according to the nobility of the powers they require, that is to say,
the quantity of the being of man which they engaged or addressed. Now
their rank is not a very important matter as regards each other, for
there are few disputes more futile than that concerning the respective
dignity of arts, all of which are necessary and honorable. But it is a
very important matt
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