f a peacock's form could have
no eyes,--nothing but feathers. Here, then, enters the stratagem of
sculpture; you _must_ cut the eyes in relief, somehow or another; see
how it is done in the peacock on the opposite page; it is so done by
nearly all the Byzantine sculptors: this particular peacock is meant to
be seen at some distance (how far off I know not, for it is an
interpolation in the building where it occurs, of which more hereafter),
but at all events at a distance of thirty or forty feet; I have put it
close to you that you may see plainly the rude rings and rods which
stand for the eyes and quills, but at the just distance their effect is
perfect.

Sec. XI. And the simplicity of the means here employed may help us, both
to some clear understanding of the spirit of Ninevite and Egyptian work,
and to some perception of the kind of enfantillage or archaicism to
which it may be possible, even in days of advanced science, legitimately
to return. The architect has no right, as we said before, to require of
us a picture of Titian's in order to complete his design; neither has he
the right to calculate on the co-operation of perfect sculptors, in
subordinate capacities. Far from this; his business is to dispense with
such aid altogether, and to devise such a system of ornament as shall be
capable of execution by uninventive and even unintelligent workmen; for
supposing that he required noble sculpture for his ornament, how far
would this at once limit the number and the scale of possible buildings?
Architecture is the work of nations; but we cannot have nations of great
sculptors. Every house in every street of every city ought to be good
architecture, but we cannot have Flaxman or Thorwaldsen at work upon it:
nor, even if we chose only to devote ourselves to our public buildings,
could the mass and majesty of them be great, if we required all to be
executed by great men; greatness is not to be had in the required
quantity. Giotto may design a campanile, but he cannot carve it; he can
only carve one or two of the bas-reliefs at the base of it. And with
every increase of your fastidiousness in the execution of your ornament,
you diminish the possible number and grandeur of your buildings. Do not
think you can educate your workmen, or that the demand for perfection
will increase the supply: educated imbecility and finessed foolishness
are the worst of all imbecilities and foolishnesses; and there is no
free-trade measure