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e from the atmosphere without an elevation of temperature, some light and heat, I suppose, must be disengaged, though not in sufficient quantities to be sensible. MRS. B. Undoubtedly; and, indeed, it is not surprising that in this case the light and heat should not be sensible, when you consider how extremely slow, and, indeed, how imperfectly, most metals oxydate by mere exposure to the atmosphere. For the quantity of oxygen with which metals are capable of combining, generally depends upon their temperature; and the absorption stops at various points of oxydation, according to the degree to which their temperature is raised. EMILY. That seems very natural; for the greater the quantity of caloric introduced into a metal, the more will its positive electricity be exalted, and consequently the stronger will be its affinity for oxygen. MRS. B. Certainly. When the metal oxygenates with sufficient rapidity for light and heat to become sensible, combustion actually takes place. But this happens only at very high temperatures, and the product is nevertheless an oxyd; for though, as I have just said, metals will combine with different proportions of oxygen, yet with the exception of only five of them, they are not susceptible of acidification. Metals change colour during the different degrees of oxydation which they undergo. Lead, when heated in contact with the atmosphere, first becomes grey; if its temperature be then raised, it turns yellow, and a still stronger heat changes it to red. Iron becomes successively a green, brown, and white oxyd. Copper changes from brown to blue, and lastly green. EMILY. Pray, is the white lead with which houses are painted prepared by oxydating lead? MRS. B. Not merely by oxydating, but by being also united with carbonic acid. It is a carbonat of lead. The mere oxyd of lead is called red lead. Litharge is another oxyd of lead, containing less oxygen. Almost all the metallic oxyds are used as paints. The various sorts of ochres consist chiefly of iron more or less oxydated. And it is a remarkable circumstance, that if you burn metals rapidly, the light or flame they emit during combustion partakes of the colours which the oxyd successively assumes. CAROLINE. How is that accounted for, Mrs. B.? For light, you know, does not proceed from the burning body, but from the decomposition of the oxygen gas? MRS. B. The correspondence of the colour of the light with
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